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音高、周期性与听觉组织。

Pitch, periodicity, and auditory organization.

作者信息

Hartmann W M

机构信息

Department of Physics and Astronomy, Michigan State University, East Lansing 48824, USA.

出版信息

J Acoust Soc Am. 1996 Dec;100(6):3491-502. doi: 10.1121/1.417248.

DOI:10.1121/1.417248
PMID:8969472
Abstract

The perception of pitch forms the basis of musical melody and harmony. It is also among the most precise of all our human senses, and with imagination, this precision can be used experimentally to investigate the functioning of the auditory system. This tutorial presents auditory demonstrations from the zoo of pitch effects: pitch shifts, noise pitch, virtual pitch, dichotic pitch, and the pitches of things that are not there at all. It introduces models of auditory processing, derived from contemporary psychoacoustics and auditory physiology, and tests these models against the experimental effects. It concludes by describing the critical role played by pitch in the important human ability to disentangle overlapping sources of sound.

摘要

音高感知构成了音乐旋律与和声的基础。它也是我们人类所有感官中最为精确的一种,借助想象力,这种精确性可通过实验用于研究听觉系统的功能。本教程展示了一系列音高效应的听觉演示:音高偏移、噪声音高、虚拟音高、双耳分听音高以及根本不存在之物的音高。它介绍了源自当代心理声学和听觉生理学的听觉处理模型,并依据实验效应来检验这些模型。最后,它描述了音高在人类分辨重叠声源这一重要能力中所发挥的关键作用。

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