Cutting James E
Department of Psychology, Cornell University, Ithaca, New York 14853-7601, USA.
Psychon Bull Rev. 2003 Jun;10(2):319-43. doi: 10.3758/bf03196493.
Gustave Caillebotte was a painter, a collector of some of his colleagues' most renowned works, and a major force in the creation of the late 19th century French Impressionist canon. Six studies are presented as a naturalistic investigation of the effects of mere exposure to images in his collection and to those matched to them. The probabilities of cultural exposure to the 132 stimulus images were indexed by the frequencies of their separate appearances in Cornell University library books--a total of 4,232 times in 980 different books. Across the studies, adult preferences were correlated with differences in image frequencies, but not with recognition, complexity, or prototypicality judgments; children's preferences were not correlated with frequency. Prior cultural exposure also interacted with experimental exposure in predictable ways. The results suggest that mere exposure helps to maintain an artistic canon.
古斯塔夫·卡耶博特是一位画家,他收藏了一些同行最著名的作品,并且是19世纪晚期法国印象派经典作品创作的一股主要力量。本文呈现了六项研究,作为对仅仅接触他收藏的画作以及与之匹配的画作所产生效果的自然主义调查。对132幅刺激图像的文化接触概率通过它们在康奈尔大学图书馆书籍中各自出现的频率来衡量——在980本不同的书籍中总共出现了4232次。在各项研究中,成年人的偏好与图像频率的差异相关,但与识别、复杂性或原型性判断无关;儿童的偏好与频率无关。先前的文化接触也以可预测的方式与实验接触相互作用。研究结果表明,仅仅接触有助于维持一种艺术经典。