Bigand Emmanuel
Laboratoire d'Etude de l'Apprentissage et du Développement, UMR 5022, Université de Bourgogne, Dijon, France.
Ann N Y Acad Sci. 2003 Nov;999:304-12. doi: 10.1196/annals.1284.041.
Several behavioral experiments that were designed to compare the abilities of musicians and nonmusicians to process subtle changes in musical structures are surveyed. These experiments deal with different aspects of music perception including the processing of melodic and harmonic structures, the processing of large-scale structures, and implicit learning. In all these experiments, the so-called nonmusician listeners behaved in a very similar way as did highly trained students from music conservatories and music departments. This outcome suggests that when the experimental setting requires participants to process musical structures (in contrast to musical tones), the large audience of untrained listeners exhibits sophisticated musical abilities that are similar to those of musical experts. It has been suggested that musically untrained listeners are "experienced listeners" who use the same principles as musical experts in organizing their hearing of music.
本文综述了几项行为实验,这些实验旨在比较音乐家和非音乐家处理音乐结构细微变化的能力。这些实验涉及音乐感知的不同方面,包括旋律与和声结构的处理、大规模结构的处理以及内隐学习。在所有这些实验中,所谓的非音乐家听众的表现与音乐学院和音乐系训练有素的学生非常相似。这一结果表明,当实验设置要求参与者处理音乐结构(与音符相对)时,大量未经训练的听众表现出与音乐专家相似的复杂音乐能力。有人认为,未经音乐训练的听众是“有经验的听众”,他们在组织音乐听觉时使用与音乐专家相同的原则。