Białuńska Anita, Dalla Bella Simone
Department of Cognitive Psychology, WSFiZ, Warsaw, Poland.
Department of Rehabilitation Sciences, College of Health Sciences, University of Texas at El Paso, 1101 Campbell Street, El Paso, TX, 79902, USA.
Exp Brain Res. 2017 Dec;235(12):3619-3630. doi: 10.1007/s00221-017-5080-7. Epub 2017 Sep 9.
Humans display a natural tendency to move to the beat of music, more than to the rhythm of any other auditory stimulus. We typically move with music, but rarely with speech. This proclivity is apparent early during development and can be further developed over the years via joint dancing, singing, or instrument playing. Synchronization of movement to the beat can thus improve with age, but also with musical experience. In a previous study, we found that music perturbed synchronization with a metronome more than speech fragments; music superiority disappeared when distractors shared isochrony and the same meter (Dalla Bella et al., PLoS One 8(8):e71945, 2013). Here, we examined if the interfering effect of music and speech distractors in a synchronization task is influenced by musical training. Musicians and non-musicians synchronized by producing finger force pulses to the sounds of a metronome while music and speech distractors were presented at one of various phase relationships with respect to the target. Distractors were familiar musical excerpts and fragments of children poetry comparable in terms of beat/stress isochrony. Music perturbed synchronization with the metronome more than speech did in both groups. However, the difference in synchronization error between music and speech distractors was smaller for musicians than for non-musicians, especially when the peak force of movement is reached. These findings point to a link between musical training and timing of sensorimotor synchronization when reacting to music and speech distractors.
人类表现出一种自然倾向,即更容易随着音乐的节奏移动,而不是随着任何其他听觉刺激的节奏移动。我们通常会随着音乐移动,但很少会随着言语移动。这种倾向在发育早期就很明显,并且可以通过共同跳舞、唱歌或演奏乐器在多年间得到进一步发展。因此,动作与节奏的同步性会随着年龄增长而提高,也会随着音乐经验的增加而提高。在之前的一项研究中,我们发现音乐比言语片段更能干扰与节拍器的同步;当干扰物具有等时性和相同节拍时,音乐优势就消失了(达拉·贝拉等人,《公共科学图书馆·综合》8(8):e71945,2013年)。在这里,我们研究了在同步任务中音乐和言语干扰物的干扰效果是否受到音乐训练的影响。音乐家和非音乐家在节拍器发出声音时通过产生手指力脉冲来进行同步,同时音乐和言语干扰物以相对于目标的各种相位关系之一呈现。干扰物是熟悉的音乐片段和儿童诗歌片段,在节拍/重音等时性方面具有可比性。在两组中,音乐比言语更能干扰与节拍器的同步。然而,对于音乐家来说,音乐和言语干扰物之间同步误差的差异比非音乐家小,尤其是在达到动作的峰值力量时。这些发现表明,在对音乐和言语干扰物做出反应时,音乐训练与感觉运动同步的时间之间存在联系。