Quinodoz D
Int J Psychoanal. 1992 Winter;73 ( Pt 4):627-35.
Different settings reveal the operation of different psychical mechanisms; for this reason I try in this paper to take a fresh look at the psychoanalytic setting which underlies the specificity of what we psychoanalysts call psychoanalysis and helps to distinguish it from other forms of therapy--in particular, psychotherapy. In my view, the analyst's creative container function is expressed particularly through the setting. This setting is not an inert vessel, a mere juxtaposition of rules, but an active container which interacts dynamically with the process. Observance of the conditions of the psychoanalytic setting seems to me important if what comes to life is intended to be a psychoanalytic process; the analysand's (or analysand-to-be's) pressures on the analyst to abandon aspects of the setting can then sometimes be interpreted as unconscious attacks on the creative container function of the analyst and on that of the patient himself. A number of clinical examples are given, showing that, like 'Donkey Skin', the analysand may sometimes demand not only pieces of gold from psychoanalysis but also, unconsciously, its skin.
不同的情境揭示了不同心理机制的运作；因此，在本文中我试图重新审视精神分析情境，它是我们精神分析师所称的精神分析特异性的基础，并有助于将其与其他治疗形式——尤其是心理治疗——区分开来。在我看来，分析师的创造性容纳功能尤其通过情境得以体现。这种情境并非一个惰性的容器，仅仅是规则的罗列，而是一个与过程动态互动的活跃容器。在我看来，如果想要呈现的是一个精神分析过程，那么遵守精神分析情境的条件就很重要；分析者（或未来的分析者）向分析师施压以放弃情境的某些方面，有时可以被解释为对分析师以及患者自身创造性容纳功能的无意识攻击。文中给出了一些临床实例，表明就像《驴皮公主》中的情节一样，分析者有时不仅会从精神分析中索要金币，还会在无意识中索要其“皮”。
