Keune Katrien, Boon Jaap J
Molecular Paintings Research Group, FOM Institute for Atomic and Molecular Physics, Kruislaan 407, 1098 SJ Amsterdam, The Netherlands.
Anal Chem. 2004 Mar 1;76(5):1374-85. doi: 10.1021/ac035201a.
Static secondary ion mass spectrometry (SIMS) is introduced as an analytical technique for the examination of paint cross sections to obtain simultaneous information about the nature and distribution of pigments and the binding medium from a single sample. A sample taken from the virgin's blue robe in the panel painting The Descent from the Cross (Museo del Prado, Madrid) of the Early Netherlandish painter Rogier van der Weyden (1399/1400-1464) was selected for investigation. Data were compared with reference compounds and reference lead white linseed oil paint and egg tempera paint. The static SIMS technique gave position-sensitive mass spectra that were used to image the elemental distribution of pigments and the molecular signature of components of the oleaginous binding medium. SIMS ion images of sodium and aluminum superimposed with the blue pigment ultramarine and those of copper, lead, and calcium with the position of the mineral pigments of azurite, lead white, and chalk, respectively. Preserved monocarboxylic acids of palmitic and stearic acids present as fatty acids and fatty acid lead soaps pointed to the use of linseed oil as a binding medium. Images from the oleaginous binding medium fatty acids show a correlation with the three main paint layers. The observed palmitic/stearic acid ratios for the two ultramarine layers and azurite layers are 1.3, 1.4, and 1.8, respectively. Fatty acids and fatty acid soaps show highest ion yields near lead white, a mineral pigment that serves as a natural chemical drier and is proposed to act as a template for the initial grafting of the polyunsaturated triglycerides of the linseed oil. Almost no fatty acids were detected in other layers visible by light microscopy. The fatty acid lead soaps point toward a mature ionomeric oil paint system that developed over centuries. SIMS evidence for egg tempera, still used in the 15th century, is not detected in the paint cross section. SIMS images correlate well with SEM/EDX, FT-IR and light microscopic images and the SIMS spectral data additionally support the identification of pigment particles, lead soaps, and other binding medium components.
静态二次离子质谱法(SIMS)被引入作为一种分析技术,用于检查油漆横截面,以便从单个样本中同时获取有关颜料的性质和分布以及粘结介质的信息。选取了早期尼德兰画家罗吉尔·凡·德尔·韦登(1399/1400 - 1464)的木板画《下十字架》(马德里普拉多博物馆藏)中圣母蓝色长袍上的一个样本进行研究。将数据与参考化合物以及参考铅白亚麻籽油漆和蛋彩画颜料进行比较。静态SIMS技术给出了位置敏感的质谱图,用于绘制颜料的元素分布和油性粘结介质成分的分子特征图像。钠和铝的SIMS离子图像分别与蓝色颜料群青叠加,铜、铅和钙的离子图像分别与蓝铜矿、铅白和白垩等矿物颜料的位置叠加。作为脂肪酸和脂肪酸铅皂存在的棕榈酸和硬脂酸的保留单羧酸表明使用了亚麻籽油作为粘结介质。油性粘结介质脂肪酸的图像显示与三个主要油漆层相关。观察到的两个群青层和蓝铜矿层的棕榈酸/硬脂酸比率分别为1.3、1.4和1.8。脂肪酸和脂肪酸皂在铅白附近显示出最高的离子产率,铅白是一种用作天然化学干燥剂的矿物颜料,被认为是亚麻籽油多不饱和甘油三酯初始接枝的模板。在光学显微镜可见的其他层中几乎未检测到脂肪酸。脂肪酸铅皂表明存在一个经过数百年发展的成熟离聚物油漆体系。在油漆横截面中未检测到15世纪仍在使用的蛋彩画的SIMS证据。SIMS图像与扫描电子显微镜/能谱仪(SEM/EDX)、傅里叶变换红外光谱(FT - IR)和光学显微镜图像相关性良好,并且SIMS光谱数据进一步支持了颜料颗粒、铅皂和其他粘结介质成分的鉴定。