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现代舞课程、排练及表演期间的摄氧量。

Oxygen uptake during modern dance class, rehearsal, and performance.

作者信息

Wyon Matthew A, Abt Grant, Redding Emma, Head Andrew, Sharp N Craig C

机构信息

School of Sport, Performing Arts and Leisure, University of Wolverhampton, United Kingdom.

出版信息

J Strength Cond Res. 2004 Aug;18(3):646-9. doi: 10.1519/13082.1.

Abstract

The aim of the present study was to examine whether the workload, expressed in oxygen uptake and heart rate, during dance class and rehearsal prepared the dancer for performance. Previous research on the demands of class and performance has been affected by equipment limitations and could only provide limited insight into the physiological demands placed on the dancer. The present study noted that dance performance had significantly greater mean oxygen uptake and heart rate than noted in both class and rehearsal (p < 0.05). Further analysis noted that, during class and rehearsal, heart rates were rarely within the aerobic training zone (60-90%HRmax, where HRmax is the maximum heart rate). Dance performance placed a greater demand on the aerobic and anaerobic glycolytic energy systems than seen during class and rehearsal, which placed a greater emphasis on the adenosine triphosphate-creatine phosphate system. Practical implications suggest the need to supplement training within dance companies to overcome this deficit in training demand.

摘要

本研究的目的是检验舞蹈课和排练期间以摄氧量和心率表示的工作量是否能让舞者为表演做好准备。先前关于课程和表演需求的研究受到设备限制的影响,只能对舞者所面临的生理需求提供有限的见解。本研究指出,舞蹈表演的平均摄氧量和心率显著高于课程和排练中的数值(p < 0.05)。进一步分析表明,在课程和排练期间,心率很少处于有氧训练区间(60 - 90%HRmax,其中HRmax是最大心率)。与课程和排练相比,舞蹈表演对有氧和无氧糖酵解能量系统的需求更大,而课程和排练更侧重于三磷酸腺苷 - 磷酸肌酸系统。实际意义表明,舞蹈公司需要补充训练以克服训练需求方面的这一不足。

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