Bigand Emmanuel, Filipic Suzanne, Lalitte Philippe
LEAD-CNRS, 2, Esplanade Erasme, Pole AAFE, Université de Bourgogne. F-21000 Dijon, France.
Ann N Y Acad Sci. 2005 Dec;1060:429-37. doi: 10.1196/annals.1360.036.
Two empirical studies investigate the time course of emotional responses to music. In the first one, musically trained and untrained listeners were required to listen to 27 musical excerpts and to group those that conveyed a similar emotional meaning. In one condition, the excerpts were 25 seconds long on average. In the other condition, excerpts were as short as 1 second. The groupings were then transformed into a matrix of emotional dissimilarity that was analyzed with multidimensional scaling methods (MDS). We compared the outcome of these analyses for the 25-s and 1-s duration conditions. In the second study, we presented musical excerpts of increasing duration, varying from 250 to 20 seconds. Participants were requested to evaluate on a subjective scale how "moving" each excerpt was. On the basis of the responses given for the longer duration, excerpts were then sorted into two groups: highly moving and weakly (or less) moving. The main purpose of the analysis was to identify the point in time where these two categories of excerpts started to be differentiated by participants. Both studies provide consistent findings that less than 1 s of music is enough to instill elaborated emotional responses in listeners.
两项实证研究调查了对音乐的情绪反应的时间进程。在第一项研究中,要求受过音乐训练和未受过音乐训练的听众收听27段音乐摘录,并将那些传达相似情感意义的摘录归为一组。在一种情况下,摘录平均时长为25秒。在另一种情况下,摘录短至1秒。然后将这些分组转化为情感差异矩阵,并用多维标度法(MDS)进行分析。我们比较了这两种分析在25秒和1秒时长条件下的结果。在第二项研究中,我们呈现了时长不断增加的音乐摘录,从250秒到20秒不等。要求参与者以主观量表评估每段摘录的“感人程度”。根据对较长时长摘录的回答,然后将摘录分为两组:高度感人的和低度(或较少)感人的。分析的主要目的是确定参与者开始区分这两类摘录的时间点。两项研究都提供了一致的结果,即不到1秒的音乐就足以在听众中引发详尽的情绪反应。