Hansen Pamela A, Reed Kristi
Department of Physical Medicine and Rehabilitation, University of Utah, 768 E 4th Avenue, Salt Lake City, UT 84103, USA.
Phys Med Rehabil Clin N Am. 2006 Nov;17(4):789-801. doi: 10.1016/j.pmr.2006.08.001.
In this chapter we touched on a wide variety of unique musculoskeletal conditions in the musician and dancer. We outlined generalized methods of evaluation that stress the importance of the interdisciplinary approach in this highly specialized patient population and stressed the importance of specific involvement of the music or dance instructor in evaluation and management. We sought to emphasize the need to refer to specialized care early when in doubt of diagnosis or when usual first-line treatments fail. We gave examples of specific injury patterns common in these subgroups and suggestions for early management. Finally, we described some general principals for prevention of musculoskeletal injury in this group. A physician treating the performing artist must always keep in mind that in this unique patient population, their occupation is not only a means of earning a living, it is their passion. Artists make great sacrifice both physically and mentally to bring the world such immeasurable beauty. It is our responsibility to care for them in the most comprehensive and compassionate manner possible while informing them as honestly as possible about their treatment options.
在本章中,我们探讨了音乐家和舞者中各种各样独特的肌肉骨骼疾病。我们概述了通用的评估方法,强调了跨学科方法在这一高度专业化患者群体中的重要性,并强调了音乐或舞蹈教师具体参与评估和管理的重要性。我们试图强调,当对诊断存疑或常规一线治疗失败时,尽早转诊至专科护理的必要性。我们给出了这些亚组中常见的特定损伤模式的示例以及早期管理的建议。最后,我们描述了该群体预防肌肉骨骼损伤的一些一般原则。治疗表演艺术家的医生必须始终牢记,在这个独特的患者群体中,他们的职业不仅是谋生手段,更是他们的热情所在。艺术家们在身体和精神上都做出了巨大牺牲,为世界带来了如此不可估量的美。我们有责任以最全面、最富同情心的方式照顾他们,同时尽可能诚实地告知他们治疗选择。