Rosenkranz Karin, Williamon Aaron, Rothwell John C
Sobell Department of Motor Neuroscience and Movement Disorders, Institute of Neurology, London WC1N 3B, United Kingdom.
J Neurosci. 2007 May 9;27(19):5200-6. doi: 10.1523/JNEUROSCI.0836-07.2007.
Musicians not only have extraordinary motor and sensory skills, but they also have an increased ability to learn new tasks compared with non-musicians. We examined how these features are expressed in neurophysiological parameters of excitability and plasticity in the motor system by comparing the results of 11 professional musicians and 8 age-matched non-musicians. Parameters of motor excitability were assessed using transcranial magnetic stimulation (TMS) to measure motor-evoked potentials (MEPs) together with recruitment of corticospinal projections [input-output curve (IOcurve)] and of short-latency intracortical inhibition (SICIcurve). Plasticity, here defined as change of synaptic effectiveness, was tested by measuring MEPs and IOcurves after paired associative stimulation (PAS), which consists of an electric median nerve stimulus repeatedly paired (200 times at 0.25 Hz) with a TMS pulse over the hand motor area. Using an interstimulus interval of 25 ms (PAS25) or 10 ms (PAS10), this leads to long-term potentiation- or long-term depression-like plasticity, respectively. Musicians showed steeper recruitment of MEPs and SICI (IOcurve and SICIcurve). Additionally, PAS25 increased and PAS10 decreased the MEP amplitudes and the slope of the IOcurves significantly more in musicians than in non-musicians. This is consistent with a wider modification range of synaptic plasticity in musicians. Together with the steeper recruitment of corticospinal excitatory and intracortical inhibitory projections, this suggests that they regulate plasticity and excitability with a higher gain than normal. Because some of these changes depend on age at which instrumental playing commenced and on practice intensity, they may reflect an increase in number and modifiability of synapses within the motor area caused by long-term musical practice.
音乐家不仅拥有非凡的运动和感觉技能,而且与非音乐家相比,他们学习新任务的能力也更强。我们通过比较11名职业音乐家和8名年龄匹配的非音乐家的结果,研究了这些特征在运动系统兴奋性和可塑性的神经生理参数中是如何体现的。运动兴奋性参数通过经颅磁刺激(TMS)来评估,以测量运动诱发电位(MEP),同时评估皮质脊髓投射的募集情况[输入-输出曲线(IO曲线)]和短潜伏期皮质内抑制(SICI曲线)。可塑性在这里定义为突触效能的变化,通过在配对联想刺激(PAS)后测量MEP和IO曲线来测试,PAS包括在手部运动区将正中神经电刺激与TMS脉冲反复配对(以0.25Hz的频率配对200次)。使用25ms的刺激间隔(PAS25)或10ms的刺激间隔(PAS10),这分别会导致长时程增强样或长时程抑制样可塑性。音乐家表现出MEP和SICI的募集更陡峭(IO曲线和SICI曲线)。此外,与非音乐家相比,PAS25使音乐家的MEP振幅和IO曲线斜率显著增加,而PAS10使音乐家的MEP振幅和IO曲线斜率显著降低。这与音乐家突触可塑性的更广泛改变范围一致。连同皮质脊髓兴奋性和皮质内抑制性投射更陡峭的募集情况一起,这表明他们以比正常更高的增益来调节可塑性和兴奋性。由于其中一些变化取决于开始乐器演奏的年龄和练习强度,它们可能反映了长期音乐练习导致运动区内突触数量和可修饰性的增加。