Kim Janna L, Sorsoli C Lynn, Collins Katherine, Zylbergold Bonnie A, Schooler Deborah, Tolman Deborah L
California Status University, Department of Child and Adolescent Studies, Fullerton. P.O. Box 6868, Fullerton, CA 92834, USA.
J Sex Res. 2007 May;44(2):145-57. doi: 10.1080/00224490701263660.
Although it is widely recognized that sexual content pervades television, research rarely examines how television's sexual messages are gendered and occur in a relational context. This study describes the development and implementation of a new coding scheme to evaluate sexual content from a feminist perspective. Merging scripting theory (Gagnon and Simon, 1987) with the theory of compulsory heterosexuality (Rich, 1980), we explicate a heteronormative and dominant sexual script, the Heterosexual Script, and assessed its presence in the 25 primetime television programs viewed most frequently by adolescents. Our codes captured depictions of boys/men and girls/women thinking, feeling, and behaving in relational and sexual encounters in ways that sustain power inequalities between men and women. Male characters most frequently enacted the Heterosexual Script by actively and aggressively pursuing sex. Less frequently but still at high rates were depictions of female characters willingly objectifying themselves and being judged by their sexual conduct.
尽管人们普遍认识到电视中充斥着性内容，但研究很少考察电视中的性信息是如何体现性别差异以及在关系背景中出现的。本研究描述了一种新编码方案的开发与实施，以便从女性主义视角评估性内容。我们将脚本理论（加尼翁和西蒙，1987年）与强制性异性恋理论（里奇，1980年）相结合，阐释了一种异性规范且占主导地位的性脚本，即异性恋脚本，并评估了其在青少年最常观看的25个黄金时段电视节目中的呈现情况。我们的编码捕捉到了男孩/男性和女孩/女性在关系和性接触中的思考、感受及行为的描述，这些描述维持了男女之间的权力不平等。男性角色最常通过积极主动且具有攻击性地追求性行为来演绎异性恋脚本。女性角色自愿物化自己并因其性行为而受到评判的描述虽频率较低但仍占比很高。
