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与自适应定时序列的感觉运动同步。

Sensorimotor synchronization with adaptively timed sequences.

作者信息

Repp Bruno H, Keller Peter E

机构信息

Haskins Laboratories, 300 George Street, New Haven, CT 06511-6624, United States.

出版信息

Hum Mov Sci. 2008 Jun;27(3):423-56. doi: 10.1016/j.humov.2008.02.016. Epub 2008 Apr 10.


DOI:10.1016/j.humov.2008.02.016
PMID:18405989
Abstract

Most studies of human sensorimotor synchronization require participants to coordinate actions with computer-controlled event sequences that are unresponsive to their behavior. In the present research, the computer was programmed to carry out phase and/or period correction in response to asynchronies between taps and tones, and thereby to modulate adaptively the timing of the auditory sequence that human participants were synchronizing with, as a human partner might do. In five experiments the computer's error correction parameters were varied over a wide range, including "uncooperative" settings that a human synchronization partner could not (or would not normally) adopt. Musically trained participants were able to maintain synchrony in all these situations, but their behavior varied systematically as a function of the computer's parameter settings. Computer simulations were conducted to infer the human participants' error correction parameters from statistical properties of their behavior (means, standard deviations, auto- and cross-correlations). The results suggest that participants maintained a fixed gain of phase correction as long as the computer was cooperative, but changed their error correction strategies adaptively when faced with an uncooperative computer.

摘要

大多数关于人类感觉运动同步的研究要求参与者将动作与计算机控制的事件序列进行协调,这些序列对他们的行为没有反应。在本研究中,计算机被编程为响应敲击和音调之间的异步进行相位和/或周期校正,从而像人类伙伴一样自适应地调节人类参与者正在同步的听觉序列的时间。在五个实验中,计算机的纠错参数在很宽的范围内变化,包括人类同步伙伴无法(或通常不会)采用的“不合作”设置。受过音乐训练的参与者在所有这些情况下都能够保持同步,但他们的行为会根据计算机的参数设置而系统地变化。进行了计算机模拟,以从参与者行为的统计特性(均值、标准差、自相关和互相关)中推断出他们的纠错参数。结果表明,只要计算机合作,参与者就会保持固定的相位校正增益,但当面对不合作的计算机时,他们会自适应地改变纠错策略。

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Sensorimotor synchronization with adaptively timed sequences.

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[2]
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[3]
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[4]
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[5]
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[6]
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[7]
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[8]
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[9]
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[10]
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