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五名先天性失明音乐奇才的旋律与音高处理能力

Melody and pitch processing in five musical savants with congenital blindness.

作者信息

Pring Linda, Woolf Katherine, Tadic Valerie

机构信息

Department of Psychology, Whitehead Building, Goldsmiths College, New Cross, London SE14 6NW, UK.

出版信息

Perception. 2008;37(2):290-307. doi: 10.1068/p5718.

Abstract

We examined absolute-pitch (AP) and short-term musical memory abilities of five musical savants with congenital blindness, seven musicians, and seven non-musicians with good vision and normal intelligence in two experiments. In the first, short-term memory for musical phrases was tested and the savants and musicians performed statistically indistinguishably, both significantly outperforming the non-musicians and remembering more material from the C major scale sequences than random trials. In the second experiment, participants learnt associations between four pitches and four objects using a non-verbal paradigm. This experiment approximates to testing AP ability. Low statistical power meant the savants were not statistically better than the musicians, although only the savants scored statistically higher than the non-musicians. The results are evidence for a musical module, separate from general intelligence; they also support the anecdotal reporting of AP in musical savants, which is thought to be necessary for the development of musical-savant skill.

摘要

我们在两项实验中考察了五名先天性失明的音乐天才、七名音乐家以及七名视力良好且智力正常的非音乐家的绝对音高(AP)和短期音乐记忆能力。在第一项实验中,测试了对音乐短语的短期记忆,结果发现天才和音乐家的表现从统计学角度无法区分,二者均显著优于非音乐家,并且比起随机试验,他们能记住更多来自C大调音阶序列的内容。在第二项实验中,参与者使用非语言范式学习四个音高与四个物体之间的关联。该实验近似于对绝对音高能力的测试。低统计效力意味着天才在统计学上并不比音乐家更出色,不过只有天才在统计学上得分高于非音乐家。这些结果证明了存在一个独立于一般智力的音乐模块;它们还支持了有关音乐天才具备绝对音高的传闻报道,而绝对音高被认为是音乐天才技能发展所必需的。

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