Dik Joris, Janssens Koen, Van der Snickt Geert, van der Loeff Luuk, Rickers Karen, Cotte Marine
Department of Materials Science, Delft University of Technology, Mekelweg 2, 2628CD Delft, The Netherlands.
Anal Chem. 2008 Aug 15;80(16):6436-42. doi: 10.1021/ac800965g. Epub 2008 Jul 29.
Vincent van Gogh (1853-1890), one of the founding fathers of modern painting, is best known for his vivid colors, his vibrant painting style, and his short but highly productive career. His productivity is even higher than generally realized, as many of his known paintings cover a previous composition. This is thought to be the case in one-third of his early period paintings. Van Gogh would often reuse the canvas of an abandoned painting and paint a new or modified composition on top. These hidden paintings offer a unique and intimate insight into the genesis of his works. Yet, current museum-based imaging tools are unable to properly visualize many of these hidden images. We present the first-time use of synchrotron radiation based X-ray fluorescence mapping, applied to visualize a woman's head hidden under the work Patch of Grass by Van Gogh. We recorded decimeter-scale, X-ray fluorescence intensity maps, reflecting the distribution of specific elements in the paint layers. In doing so we succeeded in visualizing the hidden face with unprecedented detail. In particular, the distribution of Hg and Sb in the red and light tones, respectively, enabled an approximate color reconstruction of the flesh tones. This reconstruction proved to be the missing link for the comparison of the hidden face with Van Gogh's known paintings. Our approach literally opens up new vistas in the nondestructive study of hidden paint layers, which applies to the oeuvre of Van Gogh in particular and to old master paintings in general.
文森特·梵高(1853 - 1890),现代绘画的奠基人之一,以其鲜明的色彩、充满活力的绘画风格以及短暂却高产的职业生涯而闻名。他的创作量甚至比人们普遍认为的还要高,因为他许多知名画作都覆盖了之前的构图。据认为,在他早期画作中有三分之一都是这种情况。梵高常常会重新利用一幅废弃画作的画布,在上面绘制新的或经过修改的构图。这些隐藏的画作提供了对他作品起源的独特而深入的洞察。然而,当前基于博物馆的成像工具无法很好地呈现出许多这些隐藏的图像。我们首次使用基于同步辐射的X射线荧光映射技术,来呈现隐藏在梵高作品《一片草地》之下的一张女性脸庞。我们记录了分米级的X射线荧光强度图,反映了颜料层中特定元素的分布情况。通过这样做,我们成功以前所未有的细节呈现出了隐藏的脸庞。特别是,汞和锑分别在红色和浅色区域的分布,使得能够对肤色进行大致的色彩重建。这一重建结果被证明是将隐藏的脸庞与梵高已知画作进行比较时缺失的环节。我们的方法确实为隐藏颜料层的无损研究开辟了新的视野,这尤其适用于梵高的全部作品以及一般意义上的古代大师画作。