Parbery-Clark Alexandra, Skoe Erika, Kraus Nina
Auditory Neuroscience Laboratory, Northwestern University, Evanston, Illinois 60208, USA.
J Neurosci. 2009 Nov 11;29(45):14100-7. doi: 10.1523/JNEUROSCI.3256-09.2009.
Musicians have lifelong experience parsing melodies from background harmonies, which can be considered a process analogous to speech perception in noise. To investigate the effect of musical experience on the neural representation of speech-in-noise, we compared subcortical neurophysiological responses to speech in quiet and noise in a group of highly trained musicians and nonmusician controls. Musicians were found to have a more robust subcortical representation of the acoustic stimulus in the presence of noise. Specifically, musicians demonstrated faster neural timing, enhanced representation of speech harmonics, and less degraded response morphology in noise. Neural measures were associated with better behavioral performance on the Hearing in Noise Test (HINT) for which musicians outperformed the nonmusician controls. These findings suggest that musical experience limits the negative effects of competing background noise, thereby providing the first biological evidence for musicians' perceptual advantage for speech-in-noise.
音乐家一生都在从背景和声中解析旋律,这一过程可被视为类似于在噪声中进行语音感知的过程。为了研究音乐经验对噪声中语音神经表征的影响,我们比较了一组训练有素的音乐家和非音乐家对照组在安静和噪声环境下对语音的皮层下神经生理反应。结果发现,在有噪声的情况下,音乐家对声学刺激的皮层下表征更强健。具体而言,音乐家表现出更快的神经计时、增强的语音谐波表征以及在噪声中更少退化的反应形态。神经测量结果与噪声听力测试(HINT)中更好的行为表现相关,在该测试中音乐家的表现优于非音乐家对照组。这些发现表明,音乐经验限制了竞争性背景噪声的负面影响,从而为音乐家在噪声中语音感知的优势提供了首个生物学证据。