Department of Biology and National Center for Voice and Speech, University of Utah, Salt Lake City, 84112, USA.
Brain Lang. 2010 Oct;115(1):69-80. doi: 10.1016/j.bandl.2009.11.003. Epub 2010 Feb 13.
Song production in songbirds is a model system for studying learned vocal behavior. As in humans, bird phonation involves three main motor systems (respiration, vocal organ and vocal tract). The avian respiratory mechanism uses pressure regulation in air sacs to ventilate a rigid lung. In songbirds sound is generated with two independently controlled sound sources, which reside in a uniquely avian vocal organ, the syrinx. However, the physical sound generation mechanism in the syrinx shows strong analogies to that in the human larynx, such that both can be characterized as myoelastic-aerodynamic sound sources. Similarities include active adduction and abduction, oscillating tissue masses which modulate flow rate through the organ and a layered structure of the oscillating tissue masses giving rise to complex viscoelastic properties. Differences in the functional morphology of the sound producing system between birds and humans require specific motor control patterns. The songbird vocal apparatus is adapted for high speed, suggesting that temporal patterns and fast modulation of sound features are important in acoustic communication. Rapid respiratory patterns determine the coarse temporal structure of song and maintain gas exchange even during very long songs. The respiratory system also contributes to the fine control of airflow. Muscular control of the vocal organ regulates airflow and acoustic features. The upper vocal tract of birds filters the sounds generated in the syrinx, and filter properties are actively adjusted. Nonlinear source-filter interactions may also play a role. The unique morphology and biomechanical system for sound production in birds presents an interesting model for exploring parallels in control mechanisms that give rise to highly convergent physical patterns of sound generation. More comparative work should provide a rich source for our understanding of the evolution of complex sound producing systems.
鸟类的歌曲创作是研究学习性发声行为的模式系统。与人类一样,鸟类发声涉及三个主要的运动系统(呼吸、发声器官和声道)。禽类的呼吸机制利用气囊中的压力调节来为刚性肺通气。在鸣禽中,声音是由两个独立控制的声源产生的,这两个声源位于独特的鸟类发声器官——鸣管中。然而,鸣管中的物理发声机制与人类喉具有很强的相似性,两者都可以被描述为肌弹性-空气动力学声源。相似之处包括主动内收和外展、调节器官中气流速率的振荡组织质量以及产生复杂黏弹性特性的振荡组织质量的分层结构。鸟类和人类发声系统的功能形态差异需要特定的运动控制模式。鸣禽发声器官适应高速,这表明在声学通讯中,声音特征的时间模式和快速调制非常重要。快速的呼吸模式决定了歌曲的粗时间结构,并在非常长的歌曲中保持气体交换。呼吸系统还有助于对气流进行精细控制。发声器官的肌肉控制调节气流和声音特征。鸟类的上声道过滤鸣管中产生的声音,并且过滤特性可以主动调节。非线性源-滤波器相互作用也可能起作用。鸟类产生声音的独特形态和生物力学系统为探索产生高度趋同物理发声模式的控制机制提供了一个有趣的模型。更多的比较研究应该为我们理解复杂发声系统的进化提供丰富的资源。