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《“冒险”:夏尔-费迪南·拉米的非凡中风日记》

'The adventure': Charles-Ferdinand Ramuz's extraordinary stroke diary.

作者信息

Bogousslavsky J

机构信息

Center for Brain and Nervous System Disorders, and Neurorehabilitation Services, Genolier Swiss Medical Network, Clinique Valmont, Montreux, Switzerland.

出版信息

Front Neurol Neurosci. 2010;27:207-215. doi: 10.1159/000311202. Epub 2010 Apr 6.

Abstract

The famous Swiss writer Charles-Ferdinand Ramuz suffered a stroke at 65 years, which he called 'the adventure' or 'the accident'. He developed language disturbances suggesting crossed aphasia in a right hander with left hemiparesis. This uncommon pattern allowed him to continue to write his diary and to report his disturbances, with a unique depth and precision, especially for cognitive-emotional changes. Language and motor dysfunction recovered within a few weeks, but Ramuz complained of persisting emotional flattening alternating with irritability, fatigue, depression, anxiety, and concentration difficulty, which gave him the feeling to have become another person and to be inhabited by a stranger, whom he compared with devils. Ramuz fought several months to resume his literary activity, having the impression to have lost inspiration and creativity. However, the novels he wrote less than 6 months after stroke show no stylistic changes and have been found to be of the same quality as his previous production. Ramuz even 'used' his stroke experience in his work, in particular in a novel depicting an old man who has a stroke and dies of it. Ramuz's diary, with his own daily description of stroke features and consequences during acute and recovery phases, is a unique document in a writer of his importance, and provides invaluable information on subjective emotional and cognitive experience of stroke.

摘要

著名的瑞士作家夏尔 - 费迪南·拉米在65岁时中风,他将其称为“奇遇”或“意外”。他出现了语言障碍,这表明一名右利手且左侧偏瘫的患者患有交叉性失语症。这种不常见的情况使他能够继续写日记,并以独特的深度和精准度记录自己的障碍,尤其是认知 - 情感方面的变化。语言和运动功能在几周内恢复,但拉米抱怨情绪持续平淡,交替出现易怒、疲劳、抑郁、焦虑和注意力难以集中的情况,这让他感觉自己变成了另一个人,仿佛被一个陌生人占据,他将这个陌生人比作恶魔。拉米努力了几个月才重新开始文学创作,感觉自己失去了灵感和创造力。然而,他在中风后不到6个月所写的小说并未显示出文体上的变化,而且被发现与他之前的作品质量相当。拉米甚至在自己的作品中“运用”了中风经历,特别是在一部描绘一位老人中风并因此去世的小说中。拉米的日记,其中有他对中风急性期和恢复期特征及后果的日常描述,对于像他这样重要的作家来说是一份独特的文献,它提供了关于中风主观情感和认知体验的宝贵信息。

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