Szajnberg Nathan Moses
The Hebrew University, Jerusalem, Israel 91905.
Int J Psychoanal. 2010 Feb;91(1):183-97. doi: 10.1111/j.1745-8315.2009.00217.x.
This paper uses a literary approach to explore what common ground exists in both psychoanalytic technique and views of the psyche, of 'person'. While Western literature has developed various views of psyche and person over centuries, there have been crystallizing, seminal portraits, for instance Shakespeare's perspective on what is human, some of which have endured to the present. By using Dante's Commedia, particularly the Inferno, a 14th century poem that both integrates and revises previous models of psyche and personhood, we can examine what features of psyche, and 'techniques' in soul-healing psychoanalysts have inherited culturally. Discovering basic features of technique and model of psyche we share as psychoanalysts permits us to explore why we have differences in variations on technique and models of inner life.
本文采用文学方法来探究精神分析技术与关于“人”的心理观之间存在哪些共同点。几个世纪以来，西方文学发展出了各种关于心理和人的观点，出现了一些具有决定性意义、影响深远的人物刻画，比如莎士比亚对人性的看法，其中一些一直流传至今。通过运用但丁的《神曲》，尤其是《地狱篇》（一部14世纪整合并修正了先前心理和人格模式的诗歌），我们可以审视精神分析师在文化传承中所继承的心理特征以及灵魂治愈方面的“技术”。发现作为精神分析师我们所共有的技术基本特征和心理模式，能让我们探究为何我们在内心生活的技术和模式变体上存在差异。
