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以善制恶:《搬运工》与海明威的种族熔炉

Killin'em with kindness: "The porter" and Hemingway's racial cauldron.

作者信息

Dudley Marc

出版信息

Hemingway Rev. 2010;29(2):28-45. doi: 10.1353/hem.0.0068.

Abstract

"The Porter" brings us close to the nightmare plaguing white America's collective imagination during the 20th century's formative years, when white and black collided and racial definition conflated. Hemingway's piece about a young white boy, his father, and the African-American porter who serves them on an overnight train trip is an exploration of 20th century American race relations. Initially, Hemingway pushes the reader to see the world through the young boy's eyes, through the bifurcated lens of racial stereotype. But through the black porter's intervention, the reader comes to recognize that the lens of racial stereotype is imperfect, faulty even, and that notions of white supremacy and the color line are dangerous illusions.

摘要

《搬运工》让我们直面20世纪形成期困扰美国白人集体想象的噩梦,彼时白人与黑人发生冲突,种族定义相互交织。海明威讲述了一个白人小男孩、他的父亲以及在夜间火车旅行中为他们服务的非裔美国搬运工的故事,这是对20世纪美国种族关系的一次探索。起初,海明威促使读者通过小男孩的视角,透过种族刻板印象的双重透镜去看待世界。但通过黑人搬运工的介入,读者开始认识到种族刻板印象的透镜是不完美的,甚至是有缺陷的,白人至上观念和肤色界限是危险的幻想。

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