Centre for Music & Science, Faculty of Music, University of Cambridge, 11 West Road, Cambridge CB3 9DP, England, United Kingdom.
Conscious Cogn. 2011 Jun;20(2):214-22. doi: 10.1016/j.concog.2010.07.004. Epub 2010 Sep 15.
The cognition of music, like that of language, is partly rooted in enculturative processes of implicit and incidental learning. Musicians and nonmusicians alike are commonly found to possess detailed implicit knowledge of musical structure which is acquired incidentally through interaction with large samples of music. This paper reports an experiment combining the methodology of artificial grammar learning with musical acquisition of melodic structure. Participants acquired knowledge of grammatical melodic structures under incidental learning conditions in both experimental and untrained control conditions. Subsequent analysis indicates a large effect of unsupervised online learning in the experimental and control group throughout the course of the testing phase suggesting an effective ongoing learning process. Musicians did not outperform nonmusicians, indicating that musical expertise is not advantageous for the learning of a new, unfamiliar melodic system. Confidence ratings suggest that participants became aware of the knowledge guiding their classification performance despite the incidental learning conditions.
音乐认知,如同语言认知,部分根植于文化塑造的内隐学习和偶然学习过程中。人们普遍发现,音乐家和非音乐家都拥有详细的音乐结构内隐知识,这些知识是通过与大量音乐的偶然互动而习得的。本文报告了一个将人工语法学习方法与旋律结构的音乐习得相结合的实验。参与者在实验和未训练的控制条件下,通过偶然学习条件获得了旋律结构的语法知识。随后的分析表明,在测试阶段,实验组和对照组都进行了大量的无监督在线学习,这表明存在有效的持续学习过程。音乐家并没有优于非音乐家,这表明音乐专业知识对于学习新的、不熟悉的旋律系统没有优势。信心评级表明,尽管处于偶然学习条件下,参与者还是意识到了指导他们分类表现的知识。