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听觉意象中的音高层次表示。

Tonal hierarchy representations in auditory imagery.

机构信息

University of Toronto Scarborough, Toronto, Canada.

出版信息

Mem Cognit. 2011 Apr;39(3):477-90. doi: 10.3758/s13421-010-0032-5.

Abstract

Two experiments investigated psychological representations of musical tonality in auditory imagery. In Experiment 1, musically trained participants heard a single tone as a perceptual cue and built an auditory image of a specified major tonality based on that cue; participants' images were then assessed using judgments of probe tones. In Experiment 2 participants imaged a minor tonality rather than a major one. Analysis of the probe tone ratings indicated that participants successfully imaged both major and minor tonal hierarchies, demonstrating that auditory imagery functions comparably to auditory perception. In addition, the strength of the major tonal image was dependent upon the pitch and tonal relations of the perceptual cue and the to-be-imaged tonality. Finally, representations of minor tonal hierarchies were less robust than those of major ones, converging with perceptual evidence that minor tonalities are less psychologically stable than major tonalities.

摘要

两个实验调查了音乐调性在听觉意象中的心理表现。在实验 1 中,受过音乐训练的参与者听到一个单一的音作为感知提示,并根据该提示构建一个指定的大调调性的听觉图像;然后使用探测音的判断来评估参与者的图像。在实验 2 中,参与者想象一个小调调性,而不是大调。对探测音评分的分析表明,参与者成功地想象出了大调和小调的层次结构,这表明听觉意象与听觉感知的功能相当。此外,大调的意象强度取决于感知提示和要想象的调性的音高和音关系。最后,小调层次结构的表示不如大调的表示稳定,这与小调在心理上不如大调稳定的感知证据相吻合。

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