Department of Psychology, Concordia University, Montreal, QC, Canada.
Cortex. 2011 Oct;47(9):1126-37. doi: 10.1016/j.cortex.2011.05.010. Epub 2011 May 17.
One of the primary goals of cognitive neuroscience is to understand the interaction between genes, development and specific experience. A particularly fascinating example of this interaction is a sensitive period - a time during development when experience has a differential effect on behavior and the brain. Behavioral and brain imaging studies in musicians have provided suggestive evidence for a possible sensitive period for musical training; showing that musicians who began training early show better task performance and greater changes in auditory and motor regions of the brain. However, these studies have not controlled for likely differences between early- (ET) and late-trained (LT) musicians in the number of years of musical experience. This review presents behavioral work from our laboratory comparing the performance of ET (before age seven) and LT musicians who were matched for years of experience on the ability to tap in synchrony with auditory and visual rhythms. The results demonstrate the existence of a possible sensitive period for musical training that has its greatest impact on measures of sensorimotor integration. Work on motor learning in children and how this might relate to the observed sensitive period effect is also reviewed. These studies are described in the context of what is currently known about sensitive periods in animals and humans; drawing on evidence from anatomy and physiology, studies of deafness, as well as structural and functional neuroimaging studies in trained musicians. The possible mechanisms underlying sensitive periods for musical training are discussed based on current theories describing the influence of both low-level features of sensory experience and higher-level cognitive processing.
认知神经科学的主要目标之一是了解基因、发育和特定经验之间的相互作用。这种相互作用的一个特别有趣的例子是敏感期——在发育过程中,经验对行为和大脑有不同影响的时期。对音乐家的行为和脑成像研究提供了音乐训练可能存在敏感期的有说服力的证据;表明早期开始训练的音乐家在任务表现和大脑听觉和运动区域的变化方面表现更好。然而,这些研究并没有控制早期(ET)和晚期(LT)音乐家在音乐经验年限方面的可能差异。这篇综述介绍了我们实验室的行为学工作,比较了 ET(7 岁之前)和 LT 音乐家在跟随听觉和视觉节奏进行敲击的能力方面的表现,这些音乐家的经验年限相匹配。结果表明,音乐训练存在一个可能的敏感期,对感觉运动整合的衡量标准影响最大。还回顾了关于儿童运动学习的工作以及这如何与观察到的敏感期效应相关的工作。这些研究是在当前关于动物和人类敏感期的知识背景下进行的;借鉴了来自解剖学和生理学、失聪研究以及受过训练的音乐家的结构和功能神经影像学研究的证据。根据描述感觉经验的低级特征和高级认知处理影响的当前理论,讨论了音乐训练敏感期的可能机制。