Department of Psychology, Ryerson University Toronto, ON, Canada.
Front Hum Neurosci. 2011 Aug 23;5:73. doi: 10.3389/fnhum.2011.00073. eCollection 2011.
Artwork can often pique the interest of the viewer or listener as a result of the ambiguity or instability contained within it. Our engagement with uncertain sensory experiences might have its origins in early cortical responses, in that perceptually unstable stimuli might preclude neural habituation and maintain activity in early sensory areas. To assess this idea, participants engaged with an ambiguous visual stimulus wherein two squares alternated with one another, in terms of simultaneously opposing vertical and horizontal locations relative to fixation (i.e., stroboscopic alternating motion; von Schiller, 1933). At each trial, participants were invited to interpret the movement of the squares in one of five ways: traditional vertical or horizontal motion, novel clockwise or counter-clockwise motion, and, a free-view condition in which participants were encouraged to switch the direction of motion as often as possible. Behavioral reports of perceptual stability showed clockwise and counter-clockwise motion to possess an intermediate level of stability compared to relatively stable vertical and horizontal motion, and, relatively unstable motion perceived during free-view conditions. Early visual evoked components recorded at parietal-occipital sites such as C1, P1, and N1 modulated as a function of visual intention. Both at a group and individual level, increased perceptual instability was related to increased negativity in all three of these early visual neural responses. Engagement with increasingly ambiguous input may partly result from the underlying exaggerated neural response to it. The study underscores the utility of combining neuroelectric recording with the presentation of perceptually multi-stable yet physically identical stimuli, in revealing brain activity associated with the purely internal process of interpreting and appreciating the sensory world that surrounds us.
艺术作品常常因其所包含的模糊性或不稳定性而引起观众或听众的兴趣。我们对不确定的感官体验的参与可能源于早期的皮质反应,因为感知上不稳定的刺激可能会阻止神经习惯化并保持早期感觉区域的活动。为了评估这个想法,参与者参与了一个模糊的视觉刺激,其中两个正方形彼此交替,相对于注视点的垂直和水平位置同时相反(即频闪交替运动;von Schiller,1933)。在每次试验中,参与者被邀请以五种方式之一解释正方形的运动:传统的垂直或水平运动、新颖的顺时针或逆时针运动,以及自由观看条件,鼓励参与者尽可能频繁地切换运动方向。感知稳定性的行为报告显示,顺时针和逆时针运动与相对稳定的垂直和水平运动相比具有中等水平的稳定性,而在自由观看条件下感知到的运动则相对不稳定。在顶枕部位置(如 C1、P1 和 N1)记录的早期视觉诱发成分会根据视觉意图进行调制。在群体和个体水平上,感知不稳定性的增加与这三种早期视觉神经反应中的负性增加都有关。对越来越模糊的输入的参与可能部分是由于对其基础夸大的神经反应。该研究强调了结合神经电记录和呈现感知上多稳定但物理上相同的刺激的效用,揭示了与解释和欣赏我们周围感官世界的纯粹内部过程相关的大脑活动。