Cardiff School of Art & Design, University of Wales Institute Cardiff Cardiff, UK.
Front Hum Neurosci. 2011 Aug 17;5:84. doi: 10.3389/fnhum.2011.00084. eCollection 2011.
In this article I will discuss the intersection between art and neuroscience from the perspective of a practicing artist. I have collaborated on several scientific studies into the effects of art on the brain and behavior, looking in particular at the phenomenon of "visual indeterminacy." This is a perceptual state in which subjects fail to recognize objects from visual cues. I will look at the background to this phenomenon, and show how various artists have exploited its effect through the history of art. My own attempts to create indeterminate images will be discussed, including some of the technical problems I faced in trying to manipulate the viewer's perceptual state through paintings. Visual indeterminacy is not widely studied in neuroscience, although references to it can be found in the literature on visual agnosia and object recognition. I will briefly review some of this work and show how my attempts to understand the science behind visual indeterminacy led me to collaborate with psychophysicists and neuroscientists. After reviewing this work, I will discuss the conclusions I have drawn from its findings and consider the problem of how best to integrate neuroscientific methods with artistic knowledge to create truly interdisciplinary approach.
在本文中,我将从一位实践艺术家的角度探讨艺术和神经科学的交叉点。我曾合作进行过几项关于艺术对大脑和行为影响的科学研究,特别关注“视觉不确定性”现象。这是一种主体无法从视觉线索识别物体的知觉状态。我将探讨这一现象的背景,并展示历史上各种艺术家如何通过利用其效果来进行创作。我将讨论自己创作不确定图像的尝试,包括在试图通过绘画来操纵观众的知觉状态时所面临的一些技术问题。视觉不确定性在神经科学中研究得并不广泛,尽管在视觉失认症和物体识别的文献中可以找到与之相关的参考文献。我将简要回顾其中一些工作,并展示我试图理解视觉不确定性背后的科学原理如何促使我与心理生理学家和神经科学家合作。在回顾这项工作之后,我将讨论我从研究结果中得出的结论,并考虑如何将神经科学方法与艺术知识相结合,以创建真正的跨学科方法。