School of Psychology, Faculty of Life Sciences, London Metropolitan University.
Percept Mot Skills. 2011 Oct;113(2):439-53. doi: 10.2466/04.10.24.PMS.113.5.439-453.
Sex differences in a visually realistic drawing style were examined using the model of a curvy cup as an inanimate object, and the Draw-A-Person test (DAP) as a task involving animate objects, with 7- to 12-year-old children (N = 60; 30 boys). Accurately drawing the internal detail of the cup--indicating interest in a depth feature--was not dependent on age in boys, but only in girls, as 7-year-old boys were already engaging with this cup feature. However, the age effect of the correct omission of an occluded handle--indicating a transition from realism in terms of function (intellectual realism) to one of appearance (visual realism)--was the same for both sexes. The correct omission of the occluded handle was correlated with bilingualism and drawing the internal cup detail in girls, but with drawing the silhouette contour of the cup in boys. Because a figure's silhouette enables object identification from a distance, while perception of detail and language occurs in nearer space, it was concluded that boys and girls may differ in the way they conceptualize depth in pictorial space, rather than in visual realism as such.
采用曲线杯模型作为无生命物体,以人物绘图测验(DAP)作为涉及有生命物体的任务,对 7 至 12 岁儿童(N=60;30 名男孩)进行了研究,以考察视觉逼真绘画风格中的性别差异。准确描绘杯子的内部细节——表明对深度特征的兴趣——在男孩中与年龄无关,但在女孩中仅与年龄有关,因为 7 岁男孩已经在关注这个杯子特征。然而,正确省略遮挡手柄的年龄效应——表明从功能(智力现实主义)到外观(视觉现实主义)的过渡——在两性中是相同的。正确省略遮挡手柄与双语和女孩绘制杯子内部细节相关,但与男孩绘制杯子的轮廓相关。由于人物的轮廓可以使物体从远处识别,而细节感知和语言发生在更近的空间,因此得出的结论是,男孩和女孩在他们在绘画空间中概念化深度的方式上可能存在差异,而不是在视觉现实主义本身。