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文化对音乐音高感知的影响。

Effects of culture on musical pitch perception.

机构信息

The Roxelyn and Richard Pepper Department of Communication Sciences & Disorders, and the Knowles Hearing Center, Northwestern University, Evanston, Illinois, United States of America.

出版信息

PLoS One. 2012;7(4):e33424. doi: 10.1371/journal.pone.0033424. Epub 2012 Apr 11.

Abstract

The strong association between music and speech has been supported by recent research focusing on musicians' superior abilities in second language learning and neural encoding of foreign speech sounds. However, evidence for a double association--the influence of linguistic background on music pitch processing and disorders--remains elusive. Because languages differ in their usage of elements (e.g., pitch) that are also essential for music, a unique opportunity for examining such language-to-music associations comes from a cross-cultural (linguistic) comparison of congenital amusia, a neurogenetic disorder affecting the music (pitch and rhythm) processing of about 5% of the Western population. In the present study, two populations (Hong Kong and Canada) were compared. One spoke a tone language in which differences in voice pitch correspond to differences in word meaning (in Hong Kong Cantonese, /si/ means 'teacher' and 'to try' when spoken in a high and mid pitch pattern, respectively). Using the On-line Identification Test of Congenital Amusia, we found Cantonese speakers as a group tend to show enhanced pitch perception ability compared to speakers of Canadian French and English (non-tone languages). This enhanced ability occurs in the absence of differences in rhythmic perception and persists even after relevant factors such as musical background and age were controlled. Following a common definition of amusia (5% of the population), we found Hong Kong pitch amusics also show enhanced pitch abilities relative to their Canadian counterparts. These findings not only provide critical evidence for a double association of music and speech, but also argue for the reconceptualization of communicative disorders within a cultural framework. Along with recent studies documenting cultural differences in visual perception, our auditory evidence challenges the common assumption of universality of basic mental processes and speaks to the domain generality of culture-to-perception influences.

摘要

音乐与言语之间的紧密联系已得到了最近研究的支持,这些研究的重点是音乐家在第二语言学习以及外语语音的神经编码方面的卓越能力。然而,语言背景对音乐音高处理和障碍的双重影响的证据仍然难以捉摸。由于语言在其使用要素(例如音高)方面存在差异,这些要素对于音乐也是必不可少的,因此,跨文化(语言)比较先天性失歌症(一种影响约 5%西方人口音乐(音高和节奏)处理的神经遗传障碍)为检查这种语言与音乐的关联提供了独特的机会。在本研究中,对两个群体(香港和加拿大)进行了比较。一个群体使用的是声调语言,其中音高的差异对应于词义的差异(在香港粤语中,当以高和中音模式发音时,/si/分别表示“老师”和“尝试”)。使用先天性失歌症在线识别测试,我们发现粤语使用者群体相对于加拿大法语和英语(非声调语言)使用者而言,倾向于表现出增强的音高感知能力。这种增强的能力出现在节奏感知没有差异的情况下,即使在控制了相关因素(如音乐背景和年龄)后,这种能力仍然存在。根据先天性失歌症的常见定义(占人口的 5%),我们发现香港的音高失歌症者相对于他们的加拿大同行也表现出增强的音高能力。这些发现不仅为音乐和言语的双重关联提供了关键证据,而且还主张在文化框架内重新概念化交际障碍。随着最近记录视觉感知文化差异的研究,我们的听觉证据挑战了基本心理过程普遍性的常见假设,并说明了文化对感知影响的领域普遍性。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/f314/3324485/f63b703841cb/pone.0033424.g001.jpg

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