Neuroscience Institute, Princeton University, Princeton, NJ 08540,USA.
Dev Sci. 2012 Jul;15(4):557-68. doi: 10.1111/j.1467-7687.2012.01149.x. Epub 2012 Apr 19.
Across all languages studied to date, audiovisual speech exhibits a consistent rhythmic structure. This rhythm is critical to speech perception. Some have suggested that the speech rhythm evolved de novo in humans. An alternative account--the one we explored here--is that the rhythm of speech evolved through the modification of rhythmic facial expressions. We tested this idea by investigating the structure and development of macaque monkey lipsmacks and found that their developmental trajectory is strikingly similar to the one that leads from human infant babbling to adult speech. Specifically, we show that: (1) younger monkeys produce slower, more variable mouth movements and as they get older, these movements become faster and less variable; and (2) this developmental pattern does not occur for another cyclical mouth movement--chewing. These patterns parallel human developmental patterns for speech and chewing. They suggest that, in both species, the two types of rhythmic mouth movements use different underlying neural circuits that develop in different ways. Ultimately, both lipsmacking and speech converge on a ~5 Hz rhythm that represents the frequency that characterizes the speech rhythm of human adults. We conclude that monkey lipsmacking and human speech share a homologous developmental mechanism, lending strong empirical support to the idea that the human speech rhythm evolved from the rhythmic facial expressions of our primate ancestors.
迄今为止,所有已研究的语言都表明,视听语音具有一致的节奏结构。这种节奏对于语音感知至关重要。有人认为,人类的语音节奏是全新进化而来的。而我们在这里探讨的另一种观点则认为,语音的节奏是通过对节奏性面部表情的改变而进化而来的。我们通过研究猕猴的嘴唇 smack 及其发展,检验了这个想法,并发现其发展轨迹与从人类婴儿牙牙学语到成人言语的发展轨迹惊人地相似。具体来说,我们发现:(1)年幼的猴子产生的嘴巴运动速度较慢,变化较大,随着年龄的增长,这些运动变得更快且变化较小;(2)这种发展模式不会出现在另一种周期性的嘴巴运动——咀嚼中。这些模式与人类言语和咀嚼的发展模式相吻合。这表明,在这两个物种中,两种类型的有节奏的嘴巴运动使用不同的潜在神经回路,以不同的方式发展。最终,嘴唇 smack 和言语都收敛到一个~5Hz 的节奏,这代表了成人言语节奏的特征频率。我们得出结论,猴子的嘴唇 smack 和人类言语具有同源的发展机制,为人类言语节奏是从我们灵长类祖先的节奏性面部表情进化而来的观点提供了有力的实证支持。