Neuroscience Institute, Department of Psychology, Princeton University, Princeton, NJ 08540, USA.
Proc Natl Acad Sci U S A. 2013 Jan 29;110(5):1959-63. doi: 10.1073/pnas.1214956110. Epub 2013 Jan 14.
Human speech universally exhibits a 3- to 8-Hz rhythm, corresponding to the rate of syllable production, which is reflected in both the sound envelope and the visual mouth movements. Artificial perturbation of the speech rhythm outside the natural range reduces speech intelligibility, demonstrating a perceptual tuning to this frequency band. One theory posits that the mouth movements at the core of this speech rhythm evolved through modification of ancestral primate facial expressions. Recent evidence shows that one such communicative gesture in macaque monkeys, lip-smacking, has motor parallels with speech in its rhythmicity, its developmental trajectory, and the coordination of vocal tract structures. Whether monkeys also exhibit a perceptual tuning to the natural rhythms of lip-smacking is unknown. To investigate this, we tested rhesus monkeys in a preferential-looking procedure, measuring the time spent looking at each of two side-by-side computer-generated monkey avatars lip-smacking at natural versus sped-up or slowed-down rhythms. Monkeys showed an overall preference for the natural rhythm compared with the perturbed rhythms. This lends behavioral support for the hypothesis that perceptual processes in monkeys are similarly tuned to the natural frequencies of communication signals as they are in humans. Our data provide perceptual evidence for the theory that speech may have evolved from ancestral primate rhythmic facial expressions.
人类的言语普遍表现出 3-8Hz 的节奏,与音节产生的速度相对应,这反映在声音包络和视觉口部运动中。在自然范围之外人为地扰乱言语节奏会降低言语的可理解性,这表明对该频段存在感知调整。一种理论假设,言语节奏核心的口部运动是通过对祖先灵长类动物面部表情的修饰而进化而来的。最近的证据表明,在猕猴中,一种这样的交际手势——咂嘴,其运动与言语的节奏、发展轨迹以及声道结构的协调具有相似性。猕猴是否也对咂嘴的自然节奏表现出感知调整尚不清楚。为了研究这一点,我们在猕猴的偏好注视程序中进行了测试,该程序通过测量猕猴注视两个并排的计算机生成的猕猴虚拟形象咂嘴的时间,一个是自然节奏,一个是加速或减速的节奏。与受干扰的节奏相比,猴子总体上更喜欢自然节奏。这为这样一种假设提供了行为支持,即猴子的感知过程与人类一样,也适应于通讯信号的自然频率。我们的数据为言语可能是从祖先灵长类动物的有节奏的面部表情进化而来的理论提供了感知证据。