Research Institute of Electrical Communication, Tohoku University, Sendai, Japan.
PLoS One. 2012;7(6):e39402. doi: 10.1371/journal.pone.0039402. Epub 2012 Jun 29.
Spatial inputs from the auditory periphery can be changed with movements of the head or whole body relative to the sound source. Nevertheless, humans can perceive a stable auditory environment and appropriately react to a sound source. This suggests that the inputs are reinterpreted in the brain, while being integrated with information on the movements. Little is known, however, about how these movements modulate auditory perceptual processing. Here, we investigate the effect of the linear acceleration on auditory space representation.
METHODOLOGY/PRINCIPAL FINDINGS: Participants were passively transported forward/backward at constant accelerations using a robotic wheelchair. An array of loudspeakers was aligned parallel to the motion direction along a wall to the right of the listener. A short noise burst was presented during the self-motion from one of the loudspeakers when the listener's physical coronal plane reached the location of one of the speakers (null point). In Experiments 1 and 2, the participants indicated which direction the sound was presented, forward or backward relative to their subjective coronal plane. The results showed that the sound position aligned with the subjective coronal plane was displaced ahead of the null point only during forward self-motion and that the magnitude of the displacement increased with increasing the acceleration. Experiment 3 investigated the structure of the auditory space in the traveling direction during forward self-motion. The sounds were presented at various distances from the null point. The participants indicated the perceived sound location by pointing a rod. All the sounds that were actually located in the traveling direction were perceived as being biased towards the null point.
CONCLUSIONS/SIGNIFICANCE: These results suggest a distortion of the auditory space in the direction of movement during forward self-motion. The underlying mechanism might involve anticipatory spatial shifts in the auditory receptive field locations driven by afferent signals from vestibular system.
听觉外围的空间输入可以随头部或整个身体相对于声源的运动而改变。然而,人类可以感知到稳定的听觉环境,并对声源做出适当的反应。这表明这些输入在大脑中被重新解释,同时与有关运动的信息相整合。然而,对于这些运动如何调节听觉感知处理,我们知之甚少。在这里,我们研究了线性加速度对听觉空间表示的影响。
方法/主要发现:参与者使用机器人轮椅以恒定加速度被动向前/向后输送。一组扬声器与运动方向平行,沿听者右侧的墙壁排列。当听者的冠状面物理到达扬声器之一的位置(零位)时,在自运动期间从一个扬声器发出短暂的噪声突发。在实验 1 和 2 中,参与者指示声音相对于他们的主观冠状面向前或向后呈现的方向。结果表明,仅在向前的自运动中,与主观冠状面对齐的声音位置被超前于零位位移,并且位移的幅度随着加速度的增加而增加。实验 3 研究了在向前的自运动过程中在运动方向上的听觉空间结构。声音在距零位的各种距离处呈现。参与者通过指向一根棒来指示感知到的声音位置。所有实际上位于行进方向上的声音都被感知为偏向于零位。
结论/意义:这些结果表明,在向前的自运动过程中,听觉空间在运动方向上发生扭曲。潜在的机制可能涉及前庭系统传入信号驱动的听觉感受野位置的预期空间移位。