Bertamini Marco, Bode Carole, Bruno Nicola
Department of Experimental Psychology, University of Liverpool, Liverpool, L697ZA, UK; e-mail:
Iperception. 2011;2(6):528-40. doi: 10.1068/i0451aap. Epub 2011 Sep 15.
The mirror reversal of an image is subtly different from the original. Often such change goes unnoticed in pictures, although it can affect preference. For the first time we studied the effect of mirror reversal of feature films. People watched Yojimbo or Sanjuro in a cinema, both classic films by Akira Kurosawa. They knew that this was a study and filled out a questionnaire. On one day Yojimbo was shown in its original orientation, and on another day the film was mirror reversed. Sanjuro was shown reversed on one day and non-reversed on another day. Viewers did not notice the reversal, even when they had seen the film before and considered themselves fans of Kurosawa. We compared this with estimates from a survey. In addition, the question about the use of space (scenography) revealed that although people who had seen the film before gave higher ratings compared with those who had not, this was only true when the film was not reversed.
图像的镜像翻转与原始图像略有不同。这种变化在图片中往往不易被察觉,尽管它可能会影响偏好。我们首次研究了故事片镜像翻转的效果。人们在电影院观看了黑泽明的两部经典影片《用心棒》或《椿三十郎》。他们知道这是一项研究并填写了问卷。一天播放的《用心棒》是原始方向,另一天则是镜像翻转播放。《椿三十郎》一天是翻转播放,另一天是非翻转播放。观众没有注意到翻转,即使他们之前看过这部电影并自认为是黑泽明的粉丝。我们将此与一项调查的评估结果进行了比较。此外,关于空间运用(场景设计)的问题显示,虽然之前看过电影的人给出的评分比没看过的人高,但这只在电影未翻转时才成立。