Augustin M Dorothee, Wagemans Johan
University of Leuven (KU Leuven), Laboratory of Experimental Psychology, Tiensestraat 102, box 3711, 3000 Leuven, Belgium; e-mail:
Iperception. 2012;3(7):455-8. doi: 10.1068/i0541aap. Epub 2012 Jul 5.
The i-Perception special issue Art & Perception is based on the Art & Perception Conference 2010 in Brussels. Our vision with this conference was to bring together artists and vision scientists from different backgrounds to exchange views and state-of-the-art knowledge on art perception and aesthetics. The complexity of the experience of art and of aesthetic phenomena, in general, calls for specific research approaches, for which interdisciplinarity seems to be key. Following this logic, the special issue Art & Perception contains contributions by artists and vision scientists with different methodological approaches. The contributions span a wide range of topics, but are all centred around two questions: How can one understand art perception and aesthetics from a psychological point of view, and how is this reflected in art itself?
《i-感知》特刊《艺术与感知》基于2010年在布鲁塞尔举办的艺术与感知会议。我们举办此次会议的愿景是汇聚来自不同背景的艺术家和视觉科学家，就艺术感知与美学交流观点和最新知识。总体而言，艺术体验和审美现象的复杂性需要特定的研究方法，而跨学科似乎是关键所在。按照这一逻辑，《艺术与感知》特刊收录了采用不同方法论的艺术家和视觉科学家的稿件。这些稿件涵盖广泛的主题，但都围绕两个问题：如何从心理学角度理解艺术感知与美学，以及这在艺术本身中是如何体现的？
