Pinna Baingio
Department of Architecture, Design and Planning, University of Sassari at Alghero, Italy; e-mail:
Iperception. 2012;3(5):257-81. doi: 10.1068/i0460aap. Epub 2012 May 3.
Where are representations of shape, color, depth, and lighting mostly located? Does their formation take time to develop? How do they contribute to determining and defining a visual object, and how do they differ? How do visual artists use them to create objects and scenes? Is the way artists use them related to the way we perceive them? To answer these questions, we studied the microgenetic development of the object perception and formation. Our hypothesis is that the main object properties are extracted in sequential order and in the same order that these roles are also used by artists and children of different age to paint objects. The results supported the microgenesis of object formation according to the following sequence: contours, color, shading, and lighting.
形状、颜色、深度和光影的表征主要位于何处？它们的形成需要时间来发展吗？它们如何有助于确定和定义一个视觉对象，以及它们有何不同？视觉艺术家如何利用它们来创作物体和场景？艺术家使用它们的方式与我们感知它们的方式有关吗？为了回答这些问题，我们研究了物体感知和形成的微观发生过程。我们的假设是，主要的物体属性是按顺序提取的，而且不同年龄段的艺术家和儿童在描绘物体时也按照相同的顺序使用这些属性。结果按照以下顺序支持了物体形成的微观发生过程：轮廓、颜色、明暗和光影。
