Ma Weiyi, Lai Yongxiu, Zheng Xiaojing, Yang Hua, Yao Dezhong
aKey Laboratory for NeuroInformation of Ministry of Education, School of Life Science and Technology, University of Electronic Science and Technology of China, Chengdu, China.
Neuroreport. 2013 Mar 6;24(4):186-9. doi: 10.1097/WNR.0b013e32835e343b.
An interdisciplinary research field, music perception involves various disciplines, such as psychology, neuroscience, and even physics. Research on music perception offers us a window into the mechanism of the brain. In music perception, the same distance of key shift in different directions tends to be perceived as different degrees of change. It, however, still remains unclear whether directional asymmetry is specific to key shift perception or a general phenomenon of key perception. Using both behavioral and electroencephalogram methods, this study examined Chinese nonmusicians' subjective ratings and electroencephalogram γ-band activity related to a piece of music performed at three different key levels and presented in three separate performances, none of which contained a key shift. This study showed that directional asymmetry is a general phenomenon of key level perception rather than specific to key shift perception. Furthermore, a counterclockwisely modulated key is related to stronger γ-band spectral power than a clockwisely modulated key.
音乐感知作为一个跨学科研究领域,涉及心理学、神经科学甚至物理学等多个学科。对音乐感知的研究为我们提供了一扇了解大脑机制的窗口。在音乐感知中,不同方向上相同音高变化距离往往会被感知为不同程度的变化。然而,方向不对称是音高变化感知特有的现象还是音高感知的普遍现象,目前仍不清楚。本研究采用行为学和脑电图方法,考察了中国非音乐专业人士对一首在三个不同音高水平演奏且无音高变化的乐曲的主观评分和脑电图γ波段活动。该研究表明,方向不对称是音高水平感知的普遍现象,而非音高变化感知特有的现象。此外,逆时针调制的音高比顺时针调制的音高与更强的γ波段频谱功率相关。