Department of Psychiatry, Yale School of Medicine, New Haven, CT 06511, USA.
Harv Rev Psychiatry. 2013 Jan-Feb;21(1):52-7. doi: 10.1097/HRP.0b013e31827d7df4.
Sociologist Erving Goffman based his seminal work Asylums (1961) on a year of field research at St. Elizabeths Hospital in Washington, DC. Goffman described the mental hospital as a "total institution," in which regimentation dominated every aspect of daily life and patients were denied even the most basic means of self-expression; rather than promote recovery, such conditions produced the sorts of disordered behavior for which men and women were ostensibly admitted. A closer look at the changes transforming St. Elizabeths around the time of Goffman's research reveals a far richer portrait of institutional culture. Group therapy, psychodrama, art and dance therapy, patient newspapers, and patient self-government-each of which debuted at the hospital in the 1940s and 1950s-provided novel opportunities for men and women to make themselves heard and to take their fate into their own hands. While these initiatives did not reach all of the patients at St. Elizabeths, surviving documentation suggests that those who participated found their involvement rewarding and empowering. Goffman explicitly set out to describe "the social world of the hospital inmate." His failure to appreciate fully the capacities of his subjects, however, appears to have led him to underestimate the importance of these developments.
社会学家欧文·戈夫曼(Erving Goffman)在其开创性著作《收容所》(1961)中,基于他在华盛顿特区圣伊丽莎白医院为期一年的实地研究。戈夫曼将精神病院描述为一个“全机构”,在这种机构中,管制支配着日常生活的方方面面,甚至剥夺了患者最基本的自我表达手段;这样的环境非但没有促进康复,反而产生了患者被收容的各种紊乱行为。如果更仔细地观察一下在戈夫曼研究期间圣伊丽莎白斯所发生的变化,就会发现医院机构文化的一幅更加丰富的画面。团体治疗、心理剧、艺术和舞蹈治疗、患者报纸和患者自治——所有这些在 20 世纪 40 年代和 50 年代在医院首次出现——为男性和女性提供了新颖的机会,让他们能够表达自己,并掌握自己的命运。虽然这些举措并没有惠及圣伊丽莎白斯的所有患者,但幸存的文件表明,那些参与其中的人发现他们的参与是有回报和赋权的。戈夫曼明确提出要描述“医院囚犯的社会世界”。然而,他未能充分理解研究对象的能力,这似乎使他低估了这些发展的重要性。