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音乐聆听的心理功能。

The psychological functions of music listening.

机构信息

Department of Psychology, Chemnitz University of Technology Chemnitz, Germany.

出版信息

Front Psychol. 2013 Aug 13;4:511. doi: 10.3389/fpsyg.2013.00511. eCollection 2013.

DOI:10.3389/fpsyg.2013.00511
PMID:23964257
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC3741536/
Abstract

Why do people listen to music? Over the past several decades, scholars have proposed numerous functions that listening to music might fulfill. However, different theoretical approaches, different methods, and different samples have left a heterogeneous picture regarding the number and nature of musical functions. Moreover, there remains no agreement about the underlying dimensions of these functions. Part one of the paper reviews the research contributions that have explicitly referred to musical functions. It is concluded that a comprehensive investigation addressing the basic dimensions underlying the plethora of functions of music listening is warranted. Part two of the paper presents an empirical investigation of hundreds of functions that could be extracted from the reviewed contributions. These functions were distilled to 129 non-redundant functions that were then rated by 834 respondents. Principal component analysis suggested three distinct underlying dimensions: People listen to music to regulate arousal and mood, to achieve self-awareness, and as an expression of social relatedness. The first and second dimensions were judged to be much more important than the third-a result that contrasts with the idea that music has evolved primarily as a means for social cohesion and communication. The implications of these results are discussed in light of theories on the origin and the functionality of music listening and also for the application of musical stimuli in all areas of psychology and for research in music cognition.

摘要

人们为什么听音乐?在过去的几十年里,学者们提出了音乐可能具有的许多功能。然而,不同的理论方法、不同的方法和不同的样本,使得音乐功能的数量和性质呈现出异质化的图景。此外,对于这些功能的潜在维度还没有达成共识。本文第一部分回顾了明确提到音乐功能的研究贡献。结论是,有必要对音乐聆听的基本维度进行全面调查,以解决众多功能的问题。本文第二部分对从综述中提取的数百种功能进行了实证研究。这些功能被提炼成 129 种非冗余功能,然后由 834 名受访者进行评分。主成分分析表明存在三个不同的潜在维度:人们听音乐是为了调节兴奋和情绪,实现自我意识,以及表达社会关系。第一和第二维度被认为比第三维度重要得多——这一结果与音乐主要是作为社会凝聚力和沟通手段的观点形成对比。这些结果在音乐聆听的起源和功能理论以及音乐刺激在心理学各个领域的应用和音乐认知研究方面都具有重要意义。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/b3ee/3741536/338de2b9c740/fpsyg-04-00511-g0001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/b3ee/3741536/338de2b9c740/fpsyg-04-00511-g0001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/b3ee/3741536/338de2b9c740/fpsyg-04-00511-g0001.jpg

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