Department of Psychology, Sun Yat-Sen University Guangzhou, China ; Department of Neurology, University of Minnesota Minneapolis, MN, USA.
Front Psychol. 2013 Aug 6;4:512. doi: 10.3389/fpsyg.2013.00512. eCollection 2013.
Musical rhythm perception is a natural human ability that involves complex cognitive processes. Rhythm refers to the organization of events in time, and musical rhythms have an underlying hierarchical metrical structure. The metrical structure induces the feeling of a beat and the extent to which a rhythm induces the feeling of a beat is referred to as its metrical strength. Binary ratios are the most frequent interval ratio in musical rhythms. Rhythms with hierarchical binary ratios are better discriminated and reproduced than rhythms with hierarchical non-binary ratios. However, it remains unclear whether a superiority of serial binary over non-binary ratios in rhythm perception and reproduction exists. In addition, how different types of serial ratios influence the metrical strength of rhythms remains to be elucidated. The present study investigated serial binary vs. non-binary ratios in a reproduction task. Rhythms formed with exclusively binary (1:2:4:8), non-binary integer (1:3:5:6), and non-integer (1:2.3:5.3:6.4) ratios were examined within a constant meter. The results showed that the 1:2:4:8 rhythm type was more accurately reproduced than the 1:3:5:6 and 1:2.3:5.3:6.4 rhythm types, and the 1:2.3:5.3:6.4 rhythm type was more accurately reproduced than the 1:3:5:6 rhythm type. Further analyses showed that reproduction performance was better predicted by the distribution pattern of event occurrences within an inter-beat interval, than by the coincidence of events with beats, or the magnitude and complexity of interval ratios. Whereas rhythm theories and empirical data emphasize the role of the coincidence of events with beats in determining metrical strength and predicting rhythm performance, the present results suggest that rhythm processing may be better understood when the distribution pattern of event occurrences is taken into account. These results provide new insights into the mechanisms underlining musical rhythm perception.
音乐节奏感知是一种人类的自然能力,涉及到复杂的认知过程。节奏是指时间事件的组织,音乐节奏具有潜在的分层度量结构。度量结构诱导节拍感,而节奏诱导节拍感的程度被称为其度量强度。二进制比是音乐节奏中最常见的间隔比。具有分层二进制比的节奏比具有分层非二进制比的节奏更容易被区分和再现。然而,目前尚不清楚在节奏感知和再现中是否存在串行二进制比优于非二进制比的优势。此外,不同类型的串行比率如何影响节奏的度量强度仍有待阐明。本研究在再现任务中研究了串行二进制与非二进制比率。在恒定的拍子中,检查了仅由二进制(1:2:4:8)、非整数(1:3:5:6)和非整数(1:2.3:5.3:6.4)组成的节奏。结果表明,1:2:4:8 节奏类型比 1:3:5:6 和 1:2.3:5.3:6.4 节奏类型更准确地再现,1:2.3:5.3:6.4 节奏类型比 1:3:5:6 节奏类型更准确地再现。进一步的分析表明,再现性能更多地由节拍内事件发生的分布模式来预测,而不是由事件与节拍的重合来预测,也不是由间隔比的大小和复杂性来预测。尽管节奏理论和经验数据强调了事件与节拍重合在确定度量强度和预测节奏表现方面的作用,但本研究结果表明,当考虑事件发生的分布模式时,可能会更好地理解节奏处理。这些结果为音乐节奏感知的机制提供了新的见解。