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国立马戏艺术学院学生的受伤模式与发生率:一项观察性研究。

Injury patterns and rates amongst students at the national institute of circus arts: an observational study.

作者信息

Munro David

机构信息

Absolute Physiotherapy, 131 High Street, Prahran, 3181 VIC, Australia. Tel +61395103555, fax +61395106948.

出版信息

Med Probl Perform Art. 2014 Dec;29(4):235-40. doi: 10.21091/mppa.2014.4046.

DOI:10.21091/mppa.2014.4046
PMID:25433261
Abstract

Despite the ever-growing global participation in circus arts, very little research has been conducted into injuries associated with this physical discipline. To date, no studies have examined the incidence of injuries in circus training institutions and schools. In this study, data were collected over an academic year from all student injury presentations to the physiotherapy staff at one Australian circus school. A total of 351 injuries resulting in 1,948 treatments occurred in 33 female and 30 male circus students. The most common mechanisms of injury were acrobatics/tumbling (23%), handstands (12%), adagio (11%), and Chinese pole (10%). The most commonly injured body parts were the ankle (25%), lumbar spine (14%), and shoulder (12%). Interestingly, combined spinal injuries (cervical, thoracic, and lumbar) contributed to 35% of all initial injuries. Females sustained 71% of all hip injuries, but only 33% of all forearm injuries. Males accounted for 59% of all ankle injuries. There were no significant gender-based differences in other body areas. Results indicated that there is no gender-based difference in the overall rate of injury. However, females sustained significantly higher rates of hip injuries and males presented with more forearm and ankle injuries, perhaps reflecting the specific form and style of circus training and contortion undertaken. Spinal injuries had the highest overall rate of initial and follow-up presentations, indicating that both preventative and rehabilitative strategies could be addressed. It is suggested that the most common mechanisms of injury reflect both the amount of time spent training specific disciplines and the extreme physical difficulties and demands placed on the body.

摘要

尽管全球参与马戏艺术的人数不断增加,但针对这一体育项目相关损伤的研究却非常少。迄今为止,尚无研究调查过马戏培训机构和学校的损伤发生率。在本研究中,我们在一学年内收集了一所澳大利亚马戏学校所有学生向理疗人员报告的损伤数据。33名女马戏学生和30名男马戏学生共发生了351起损伤,接受了1948次治疗。最常见的受伤机制是杂技/翻滚(23%)、倒立(12%)、双人空中技巧(11%)和爬杆(10%)。最常受伤的身体部位是脚踝(25%)、腰椎(14%)和肩部(12%)。有趣的是,脊柱联合损伤(颈椎、胸椎和腰椎)占所有初始损伤的35%。女性髋部损伤占所有髋部损伤的71%,但前臂损伤仅占所有前臂损伤的33%。男性脚踝损伤占所有脚踝损伤的59%。其他身体部位在性别上没有显著差异。结果表明,总体损伤率不存在性别差异。然而,女性髋部损伤率明显更高,男性前臂和脚踝损伤更多,这可能反映了马戏训练和柔术表演的特定形式和风格。脊柱损伤在初始和后续就诊中的总体发生率最高,这表明预防和康复策略都需要关注。研究表明,最常见的受伤机制既反映了特定训练项目所花费的时间,也反映了身体所面临的极端身体困难和要求。

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