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胶片上的细胞——电影显微镜学的过去与未来

Cells on film - the past and future of cinemicroscopy.

作者信息

Stramer Brian M, Dunn Graham A

机构信息

Randall Division of Cell and Molecular Biophysics, King's College London, London SE1 1UL, UK

Randall Division of Cell and Molecular Biophysics, King's College London, London SE1 1UL, UK.

出版信息

J Cell Sci. 2015 Jan 1;128(1):9-13. doi: 10.1242/jcs.165019.

Abstract

Movie making is now a ubiquitous experimental tool that biologists use alongside more traditional techniques such as molecular biology and biochemistry. It is no longer just cell biologists, but scientists from many other disciplines, such as immunology and neuroscience, that utilise movies to dissect their processes of interest. When did filming become such a standard laboratory technique? Who developed the use of the movie as an experimental tool? The Wellcome Library has recently restored and digitized a number of original 16-mm films from two pioneering cinemicroscopists, Ronald Canti and Michael Abercrombie, which are now freely available to the scientific community. In light of these films, this Essay will give a brief history of the early cinemicroscopists and discuss what is driving the use of movies in the laboratory today.

摘要

电影制作如今已成为一种无处不在的实验工具,生物学家在使用分子生物学和生物化学等更传统技术的同时也会加以运用。不再仅仅是细胞生物学家,许多其他学科的科学家,如免疫学和神经科学领域的研究者,也利用电影来剖析他们感兴趣的过程。电影拍摄是何时成为如此标准的实验室技术的?是谁将电影用作实验工具的?惠康图书馆最近修复并数字化了两位电影显微镜学先驱罗纳德·坎蒂和迈克尔·阿伯克龙比的一些原始16毫米影片,现在科学界可以免费获取这些影片。鉴于这些影片,本文将简要介绍早期电影显微镜学家的历史,并探讨当今实验室中使用电影的驱动因素。

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