Olszynko-Gryn Jesse, Ellis Patrick
*Department of History and Philosophy of Science,University of Cambridge,Free School Lane,Cambridge,CB2 3RH,UK. Email:
**School of Literature, Media, and Communication,Georgia Institute of Technology,215 Bobby Dodd Way NW,Atlanta, GA 30332,USA. Email:
Br J Hist Sci. 2017 Sep;50(3):383-409. doi: 10.1017/S0007087417000632.
Reproduction is one of the most persistently generative themes in the history of science and cinema. Cabbage fairies, clones and monstrous creations have fascinated filmmakers and audiences for more than a century. Today we have grown accustomed not only to the once controversial portrayals of sperm, eggs and embryos in biology and medicine, but also to the artificial wombs and dystopian futures of science fiction and fantasy. Yet, while scholars have examined key films and genres, especially in response to the recent cycle of Hollywood 'mom coms', the analytic potential of reproduction on film as a larger theme remains largely untapped. This introduction to a special issue aims to consolidate a disparate literature by exploring diverse strands of film studies that are rarely considered in the same frame. It traces the contours of a little-studied history, pauses to consider in greater detail a few particularly instructive examples, and underscores some promising lines of inquiry. Along the way, it introduces the six original articles that constitute Reproduction on Film.
生殖是科学史和电影史上最具持久创造力的主题之一。卷心菜精灵、克隆体和怪异的造物已经吸引电影制作人和观众长达一个多世纪。如今,我们不仅已经习惯了生物学和医学中曾经颇具争议的精子、卵子和胚胎的描绘,也习惯了科幻和奇幻作品中的人造子宫及反乌托邦未来。然而,尽管学者们研究了关键影片和类型,尤其是针对近期好莱坞“妈妈喜剧”的热潮,但电影中作为一个更大主题的生殖的分析潜力在很大程度上仍未得到挖掘。本期特刊的引言旨在通过探索很少在同一框架内被考虑的电影研究的不同线索,整合分散的文献。它勾勒出一段鲜有人研究的历史轮廓,停下来更详细地思考一些特别有启发性的例子,并强调一些有前景的研究方向。在此过程中,它介绍了构成《电影中的生殖》的六篇原创文章。