Çorlu Muzaffer, Maes Pieter-Jan, Muller Chris, Kochman Katty, Leman Marc
Department of Musicology, Institute for Psychoacoustics and Electronic Music, Ghent University Ghent, Belgium.
Front Psychol. 2015 Apr 22;6:429. doi: 10.3389/fpsyg.2015.00429. eCollection 2015.
In the present paper, we report the results of an empirical study on the effects of cognitive load on operatic singing. The main aim of the study was to investigate to what extent a working memory task affected the timing of operatic singers' performance. Thereby, we focused on singers' tendency to speed up, or slow down their performance of musical phrases and pauses. Twelve professional operatic singers were asked to perform an operatic aria three times; once without an additional working memory task, once with a concurrent working memory task (counting shapes on a computer screen), and once with a relatively more difficult working memory task (more shapes to be counted appearing one after another). The results show that, in general, singers speeded up their performance under heightened cognitive load. Interestingly, this effect was more pronounced in pauses-more in particular longer pauses-compared to musical phrases. We discuss the role of sensorimotor control and feedback processes in musical timing to explain these findings.
在本论文中,我们报告了一项关于认知负荷对歌剧演唱影响的实证研究结果。该研究的主要目的是调查工作记忆任务在多大程度上影响歌剧演唱者表演的节奏。因此,我们关注演唱者在演奏音乐乐句和停顿时有加快或放慢节奏的倾向。12名专业歌剧演唱者被要求演唱一首歌剧咏叹调三次;一次不附加工作记忆任务,一次伴有同步工作记忆任务(在电脑屏幕上数形状),还有一次伴有相对更难的工作记忆任务(相继出现更多需要数的形状)。结果表明,总体而言,演唱者在认知负荷增加时会加快表演节奏。有趣的是,与音乐乐句相比,这种效应在停顿中更明显——尤其是较长的停顿。我们讨论了感觉运动控制和反馈过程在音乐节奏中的作用,以解释这些发现。