Smet Kevin A G, Webster Michael A, Whitehead Lorne A
J Opt Soc Am A Opt Image Sci Vis. 2016 Mar;33(3):A319-31. doi: 10.1364/JOSAA.33.00A319.
An important goal in characterizing human color vision is to order color percepts in a way that captures their similarities and differences. This has resulted in the continuing evolution of "uniform color spaces," in which the distances within the space represent the perceptual differences between the stimuli. While these metrics are now very successful in predicting how color percepts are scaled, they do so in largely empirical, ad hoc ways, with limited reference to actual mechanisms of color vision. In this article our aim is to instead begin with general and plausible assumptions about color coding, and then develop a model of color appearance that explicitly incorporates them. We show that many of the features of empirically defined color order systems (those of Munsell, Pantone, NCS, and others) as well as many of the basic phenomena of color perception, emerge naturally from fairly simple principles of color information encoding in the visual system and how it can be optimized for the spectral characteristics of the environment.
表征人类色觉的一个重要目标是以一种能够体现其异同的方式对颜色感知进行排序。这导致了“均匀颜色空间”的不断演进,在这个空间中,空间内的距离代表了刺激之间的感知差异。虽然这些度量标准现在在预测颜色感知如何缩放方面非常成功,但它们大多是以经验性的、临时的方式做到这一点的,对色觉的实际机制参考有限。在本文中,我们的目标是从关于颜色编码的一般且合理的假设出发,然后开发一个明确纳入这些假设的颜色外观模型。我们表明,经验定义的颜色秩序系统(孟塞尔、潘通、NCS等)的许多特征以及颜色感知的许多基本现象,都自然地源于视觉系统中颜色信息编码的相当简单的原则以及它如何针对环境的光谱特征进行优化。