Bourrelly Aurore, McIntyre Joseph, Morio Cédric, Despretz Pascal, Luyat Marion
PSITEC-Psychologie: Interactions Temps Émotions, EA 4072, Univ. Lille, F-59000, Lille, France.
CNPP-Centre de Neurophysique, Physiologie et Pathologie, UMR 8119, CNRS, Univ. Paris Descartes, F-75270, Paris, France.
PLoS One. 2016 Apr 20;11(4):e0153598. doi: 10.1371/journal.pone.0153598. eCollection 2016.
We investigated the role of the visual eye-height (VEH) in the perception of affordance during short-term exposure to weightlessness. Sixteen participants were tested during parabolic flight (0g) and on the ground (1g). Participants looked at a laptop showing a room in which a doorway-like aperture was presented. They were asked to adjust the opening of the virtual doorway until it was perceived to be just wide enough to pass through (i.e., the critical aperture). We manipulated VEH by raising the level of the floor in the visual room by 25 cm. The results showed effects of VEH and of gravity on the perceived critical aperture. When VEH was reduced (i.e., when the floor was raised), the critical aperture diminished, suggesting that widths relative to the body were perceived to be larger. The critical aperture was also lower in 0g, for a given VEH, suggesting that participants perceived apertures to be wider or themselves to be smaller in weightlessness, as compared to normal gravity. However, weightlessness also had an effect on the subjective level of the eyes projected into the visual scene. Thus, setting the critical aperture as a fixed percentage of the subjective visual eye-height remains a viable hypothesis to explain how human observers judge visual scenes in terms of potential for action or "affordances".
我们研究了在短期失重状态下视觉眼高(VEH)在可供性感知中的作用。16名参与者在抛物线飞行(0g)和地面(1g)条件下接受测试。参与者看着一台笔记本电脑,屏幕上显示一个有类似门口孔洞的房间。他们被要求调整虚拟门口的开口,直到感觉其宽度刚好足以通过(即临界孔径)。我们通过将视觉房间的地板高度提高25厘米来操纵视觉眼高。结果显示视觉眼高和重力对感知到的临界孔径有影响。当视觉眼高降低时(即地板升高时),临界孔径减小,这表明相对于身体的宽度被感知为更大。对于给定的视觉眼高,在0g条件下临界孔径也更低,这表明与正常重力相比,参与者在失重状态下会觉得孔洞更宽或者自己更小。然而,失重也会对投射到视觉场景中的眼睛主观高度产生影响。因此,将临界孔径设定为视觉主观眼高的固定百分比,仍然是一个可行的假设,用以解释人类观察者如何根据行动潜力或“可供性”来判断视觉场景。