Peña Marcela, Langus Alan, Gutiérrez César, Huepe-Artigas Daniela, Nespor Marina
Laboratorio de Neurociencias Cognitivas, Escuela de Psicología, Pontificia Universidad Católica de Chile Santiago, Chile.
Language, Cognition and Development Lab, International School for Advanced Studies Trieste, Italy.
Front Psychol. 2016 Nov 8;7:1708. doi: 10.3389/fpsyg.2016.01708. eCollection 2016.
The Iambic-Trochaic Law (ITL) accounts for speech rhythm, grouping of sounds as either Iambs-if alternating in duration-or Trochees-if alternating in pitch and/or intensity. The two different rhythms signal word order, one of the basic syntactic properties of language. We investigated the extent to which Iambic and Trochaic phrases could be auditorily and visually recognized, when visual stimuli engage lip reading. Our results show both rhythmic patterns were recognized from both, auditory and visual stimuli, suggesting that speech rhythm has a multimodal representation. We further explored whether participants could match Iambic and Trochaic phrases across the two modalities. We found that participants auditorily familiarized with Trochees, but not with Iambs, were more accurate in recognizing visual targets, while participants visually familiarized with Iambs, but not with Trochees, were more accurate in recognizing auditory targets. The latter results suggest an asymmetric processing of speech rhythm: in auditory domain, the changes in either pitch or intensity are better perceived and represented than changes in duration, while in the visual domain the changes in duration are better processed and represented than changes in pitch, raising important questions about domain general and specialized mechanisms for speech rhythm processing.
抑扬-扬抑律(ITL)解释了言语节奏,将声音分组为抑扬格(如果在时长上交替)或扬抑格(如果在音高和/或强度上交替)。这两种不同的节奏标志着词序,而词序是语言的基本句法属性之一。我们研究了在视觉刺激涉及唇读时,抑扬格和扬抑格短语在听觉和视觉上能够被识别的程度。我们的结果表明,两种节奏模式在听觉和视觉刺激中都能被识别,这表明言语节奏具有多模态表征。我们进一步探讨了参与者是否能够在两种模态之间匹配抑扬格和扬抑格短语。我们发现,听觉上熟悉扬抑格但不熟悉抑扬格的参与者在识别视觉目标时更准确,而视觉上熟悉抑扬格但不熟悉扬抑格的参与者在识别听觉目标时更准确。后一个结果表明言语节奏存在不对称加工:在听觉领域,音高或强度的变化比时长的变化更容易被感知和表征,而在视觉领域,时长的变化比音高的变化更容易被加工和表征,这就引发了关于言语节奏加工的领域通用和专门机制的重要问题。