Fiocco Giacomo, Rovetta Tommaso, Gulmini Monica, Piccirillo Anna, Licchelli Maurizio, Malagodi Marco
1 CISRiC-Arvedi Laboratory of Non-Invasive Diagnostic, University of Pavia, Cremona, Italy.
2 Department of Chemistry, University of Turin, Turin, Italy.
Appl Spectrosc. 2017 Nov;71(11):2477-2487. doi: 10.1177/0003702817715622. Epub 2017 Jul 13.
Historical bowed string instruments exhibit acoustic features and aesthetic appeal that are still considered inimitable. These characteristics seem to be in large part determined by the materials used in the ground and varnishing treatments after the assembly of the instrument. These finishing processes were kept secret by the violinmakers and the traditional methods were handed down orally from master craftsmen to apprentices. Today, the methods of the past can represent a secret to be revealed through scientific investigations. The "Cremonese" methods used in the 17th and 18th centuries were lost as the last Great Masters from the Amati, Guarneri, and Stradivari families passed away. In this study, we had the chance of combining noninvasive and microinvasive techniques on six fragments of historical musical instruments. The fragments were detached from different instruments during extraordinary maintenance and restoration treatments, which involved the substitution of severely damaged structural parts like top plates, back plates, or ribs. Therefore, the fragments can offer to the scientists a valuable overview on the materials and techniques used by the violinmakers. The results obtained by portable X-ray fluorescence, optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and Fourier transform infrared microscopy allowed us to: (1) determine the stratigraphy of six instruments; (2) obtain new information about the materials involved in the finishing processes employed in Cremona; and (3) elucidate the technological relationship among the procedures adopted in the violin making workshops during the considered period.
历史悠久的弓弦乐器展现出的声学特性和美学魅力至今仍被认为无可比拟。这些特性在很大程度上似乎取决于乐器组装后用于底漆和清漆处理的材料。这些制作工艺曾被制琴师们视为秘密,传统方法由大师傅口授给学徒。如今,过去的方法可能成为有待通过科学研究揭示的秘密。随着阿马蒂、瓜奈里和斯特拉迪瓦里家族的最后几位大师相继离世,17和18世纪使用的“克雷莫纳”制作方法也失传了。在本研究中,我们有机会对六块历史乐器碎片运用非侵入性和微侵入性技术。这些碎片是在特殊的维护和修复处理过程中从不同乐器上分离下来的,这些处理包括替换严重受损的结构部件,如面板、背板或侧板。因此,这些碎片能够为科学家们提供有关制琴师所使用材料和技术的宝贵概览。通过便携式X射线荧光光谱仪、光学显微镜、扫描电子显微镜结合能量色散X射线光谱仪以及傅里叶变换红外显微镜所获得的结果,使我们能够:(1)确定六件乐器的地层结构;(2)获取有关克雷莫纳所采用的制作工艺中涉及材料的新信息;(3)阐明在研究期间小提琴制作工坊所采用的制作程序之间的技术关系。