M Asif Saljooq, Saenz Cindy
Program in Narrative Medicine, Columbia University, New York, NY, 10027, USA.
Icahn School of Medicine at Mount Sinai, New York, NY, 10029, USA.
J Med Humanit. 2019 Sep;40(3):315-328. doi: 10.1007/s10912-017-9498-5.
Originally premiering in 1963, the BBC television series Doctor Who has long been criticized for essentializing colonial scenarios and failing to address issues of race and post-colonial realities. As a white male with the privilege to explore time and space, the titular Doctor stands in contrast to his human companion Martha Jones, a Black woman who represents the first and only main character in the show to be a medical professional of color. The relationship between the Doctor and Martha inherently demands an exploration of the meaning of doctorhood. In studying the ways in which these characters embody the idea of "doctor," we examine how race structures their approach to medicine, heroism, and colonialism. Whereas the Doctor personifies the figure of colonizer and post-colonial white savior, Martha emerges as a radical figure whose doctorhood potentially challenges and dismantles the colonial history of medicine. Through Afrofuturist and Afrosurrealist lenses, Martha represents a potentially subversive figure who offers a visionary medicine rooted in social justice.
英国广播公司(BBC)的电视剧《神秘博士》早在1963年就首播了,长期以来一直因将殖民场景本质化以及未能解决种族问题和后殖民现实而受到批评。作为一个拥有探索时间和空间特权的白人男性,主角博士与他的人类同伴玛莎·琼斯形成了鲜明对比,玛莎·琼斯是一位黑人女性,是该剧中首位也是唯一一位有色人种医学专业的主要角色。博士和玛莎之间的关系本质上需要对医生身份的意义进行探索。在研究这些角色体现“医生”概念的方式时,我们审视种族如何构建他们对待医学、英雄主义和殖民主义的方式。博士体现了殖民者和后殖民白人救世主的形象,而玛莎则是一个激进的人物,她的医生身份可能会挑战并瓦解医学的殖民历史。通过非洲未来主义和非洲超现实主义的视角,玛莎代表了一个具有潜在颠覆性的人物,她提供了一种植根于社会正义的空想医学。