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白内障、眼科手术、无晶状体眼以及画家约万·比耶利奇的色彩表达。

Cataract, ocular surgery, aphakia, and the chromatic expression of the painter Jovan Bijelić.

作者信息

Nikolić Ljubiša, Jovanović Vesna

出版信息

Vojnosanit Pregl. 2016 Nov;73(11):1003-9. doi: 10.2298/VSP150313126N.

Abstract

BACKGROUND/AIM: Approaching art from the standpoint of optics and the artist’s eye pathology can sometimes explain the shift of the spectral colors in the work of some artists with cataract and aphakia. This may not be obvious in the paintings of other artists with the same eye pathology. The aim of this study was to create a timeline from the recently obtained details of the cataract surgery, his best corrected aphakic visual acuity, and the last paintings of the artist Jovan Bijelić.

METHODS

The research included primary and secondary source material: Bijelić’s paintings from all stages of his career, interviews with Bijelić and his eye surgeon, art criticism, sources with the description of Bijelić’s symptoms, hospital archives, discussion with art historians, comparison of his palette from different periods.

RESULTS

Jovan Bijelić was nearly blind from cataract in 1957. He underwent an unsuccessful cataract surgery in 1956, followed by enucleation of the operated eye. In 1958, 20/25–20/20 vision was regained, after the extracapsular cataract extraction and sector iridectomy in his right eye, with the posterior lens capsule discision afterwards. Xanthopsia and cyanopsia are not present in his art, which is not a representation of visualized objects.

CONCLUSION

The response of Jovan Bijelić to cataract and aphakia was predominantly a change of his style.

摘要

背景/目的:从光学角度以及艺术家的眼部病理状况来审视艺术作品,有时能够解释某些患有白内障和无晶状体眼的艺术家作品中光谱颜色的变化。然而,对于其他患有相同眼部病理状况的艺术家而言,这种变化在其画作中可能并不明显。本研究旨在依据近期获取的白内障手术细节、其最佳矫正无晶状体视力以及艺术家约万·比耶利奇(Jovan Bijelić)的最后一批画作,梳理出一条时间线。

方法

该研究涵盖了一手和二手资料:比耶利奇职业生涯各个阶段的画作、对比耶利奇及其眼科医生的访谈、艺术评论、描述比耶利奇症状的资料来源、医院档案、与艺术史学家的讨论以及对他不同时期调色板的比较。

结果

1957年,约万·比耶利奇因白内障几乎失明。1956年他接受了一次不成功的白内障手术,随后摘除了手术眼。1958年,在右眼进行囊外白内障摘除术和扇形虹膜切除术,并随后切开后囊膜后,他恢复了20/25 - 20/20的视力。他的作品中不存在黄视症和蓝视症,其作品并非对可见物体的呈现。

结论

约万·比耶利奇对白内障和无晶状体眼的反应主要体现在他的风格变化上。

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