Department of Media,Cognition and Communication,Faculty of Humanities,University of Copenhagen,Copenhagen Dk2300,Denmark.http://mcc.ku.dk/staff/?pure=en/persons/545153.
Faculty of Industrial Design Engineering,Delft Technical University,Delft 2628 CE,The
Behav Brain Sci. 2017 Jan;40:e376. doi: 10.1017/S0140525X17001844.
The Distancing-Embracing model reserves a role for genre scripts in the hedonic valuation of negative emotion in art. Genre scripts, as defined in the target article, leave higher-level recipient intuitions out of scope. We argue that, in film genre scripts, lower-level stylistic features lend access to more complex conceptual knowledge, including pragmatic principles. The argument implies a consideration of the communicative dimension of aesthetic works, which could strengthen both factors of the Distancing-Embracing model.
距离-参与模型为体裁脚本在艺术中对负性情绪的享乐价值评估保留了一席之地。体裁脚本在本文目标中被定义为将更高层次的接受者直觉排除在外。我们认为，在电影体裁脚本中，较低层次的风格特征可以获得更复杂的概念知识，包括语用原则。该论点意味着要考虑审美作品的交际维度，这可以加强距离-参与模型的两个因素。
