Kerr Ashley
Isis. 2017 Mar;108(1):62-81. doi: 10.1086/691395.
In the late nineteenth century, Argentine intellectual elites turned to world’s fairs as a place to contest myths of Latin American racial inferiority and produce counternarratives of Argentine whiteness and modernity. This essay examines Argentine anthropological displays at three expositions between 1878 and 1892 to elucidate the mechanisms and reception of these projects. Florentino Ameghino, Francisco Moreno, and others worked deliberately and in conjunction with political authorities to erase the indigenous tribes from the national identity, even while using their bodies and products to create prehistory and garner intellectual legitimacy. Comparison of the three fairs also demonstrates how the representation of Amer-Indians and their artifacts shifted in accordance with local political needs and evolving international theories of anthropogenesis. The resulting analysis argues for the importance of considering the former colonies of the Global South in understanding the development of pre-twentieth-century anthropology and world’s fairs, particularly when separating them from their imperial context.
19世纪后期,阿根廷知识精英们将世界博览会视为一个场所,用以反驳拉丁美洲种族低等的神话,并创造关于阿根廷白人身份和现代性的反叙事。本文考察了1878年至1892年间三次博览会中阿根廷的人类学展示,以阐明这些项目的机制和接受情况。弗洛伦蒂诺·阿梅吉诺、弗朗西斯科·莫雷诺等人与政治当局协同合作,蓄意将本土部落从民族身份中抹去,即便同时利用他们的身体和产品来创造史前史并获取学术合法性。对这三次博览会的比较还表明,美洲印第安人及其手工艺品的展示是如何根据当地政治需求和不断演变的国际人类起源理论而发生变化的。由此得出的分析认为,在理解20世纪前人类学和世界博览会的发展时,考虑全球南方的前殖民地非常重要,尤其是在将它们与帝国背景区分开来的时候。