Princeton Neuroscience Institute, Princeton University, Princeton, NJ, 08544, USA.
Helen Wills Neuroscience Institute, University of California, Berkeley, Berkeley, CA, 94720, USA.
Sci Rep. 2018 Sep 14;8(1):13826. doi: 10.1038/s41598-018-32018-9.
Timbre, the unique quality of a sound that points to its source, allows us to quickly identify a loved one's voice in a crowd and distinguish a buzzy, bright trumpet from a warm cello. Despite its importance for perceiving the richness of auditory objects, timbre is a relatively poorly understood feature of sounds. Here we demonstrate for the first time that listeners adapt to the timbre of a wide variety of natural sounds. For each of several sound classes, participants were repeatedly exposed to two sounds (e.g., clarinet and oboe, male and female voice) that formed the endpoints of a morphed continuum. Adaptation to timbre resulted in consistent perceptual aftereffects, such that hearing sound A significantly altered perception of a neutral morph between A and B, making it sound more like B. Furthermore, these aftereffects were robust to moderate pitch changes, suggesting that adaptation to timbral features used for object identification drives these effects, analogous to face adaptation in vision.
音色是声音的独特品质,它指向声音的来源,使我们能够在人群中快速识别出亲人的声音,并将嗡嗡作响、明亮的小号与温暖的大提琴区分开来。尽管音色对于感知听觉对象的丰富性很重要,但它是声音中一个相对理解较差的特征。在这里,我们首次证明了听众可以适应各种自然声音的音色。对于几个声音类别中的每一个,参与者都反复接触到两个声音(例如,单簧管和双簧管、男声和女声),这些声音形成了连续体的端点。对音色的适应导致了一致的知觉后效,例如,听到声音 A 会显著改变对 A 和 B 之间中性变形的感知,使其听起来更像 B。此外,这些后效对适度的音高变化具有鲁棒性,这表明用于对象识别的音色特征的适应会产生这些影响,类似于视觉中的面孔适应。