Nagel Julie Jaffee
J Am Psychoanal Assoc. 2018 Aug;66(4):679-700. doi: 10.1177/0003065118795432.
This paper discusses stage fright as seen primarily in classical music performers. A confluence of narcissistic sensitivities, developmental issues, shame dynamics, physical injury and pain, and terrors pertaining to both psychic and bodily disintegration can fuel anxiety reactions in many people but hold particular relevance for the performing musician. Two classical music performers who struggled with stage fright are discussed: one was in treatment with the author; the other is the author herself, reflecting on her own performance anxiety as revealed through her analysis and her countertransference to her patient.
本文探讨主要在古典音乐表演者身上出现的怯场现象。自恋敏感、发展问题、羞耻动态、身体损伤与疼痛，以及与精神和身体解体相关的恐惧等多种因素交汇，可能会引发许多人的焦虑反应，但对表演音乐家来说尤为相关。文中讨论了两位与怯场作斗争的古典音乐表演者：一位正在接受作者的治疗；另一位就是作者本人，她通过自己的分析以及对患者的反移情，反思自己的表演焦虑。
